Miron Radu Paraschivescu | |
|---|---|
 | |
| Born | 2 October 1911 Zimnicea, Teleorman County, Kingdom of Romania |
| Died | 17 February 1971 (aged 59) Bucharest, Socialist Republic of Romania |
| Pen name | MRP |
| Language | Romanian |
| Nationality |  Romania |
| Citizenship | Romania |
| Education | Department of Letters and Philosophy |
| Alma mater | University of Bucharest |
| Period | 1929–1971 |
| Notable works | Cântice țigănești |
| Notable awards | The Romanian Academy's "George Coșbuc" Award (1956) |
Miron Radu Paraschivescu (Romanian pronunciation: [miˈron ˈradu ˌparaskiˈvesku]; 2 October 1911 – 17 February 1971) was a Romanian poet, essayist, journalist, and translator.
Born in Zimnicea, Teleorman County, he went to high school in Ploiești, after which he studied fine arts, first in Cluj and later in Bucharest, without graduating. He then enrolled at the Letters and Philosophy Department of the University of Bucharest.
A leftist in his youth (he joined the Union of Communist Youth in 1933),[1] he wrote for many leftist papers and magazines of those days: "Cuvîntul liber", "Azi", "Facla", "Viața românească", "Era nouă", "Lumea românească", "Timpul", "Ecoul", "România Liberă", "Scînteia", sometimes under a pen name, among them Emil Soare and Paul Scorțeanu. After World War II, he wrote many propagandistic articles, although it seems that he never became a member of the Communist Party itself.[1]
Being on friendly terms with many communist leaders from their days in the underground, including Miron Constantinescu, Constanța Crăciun, Iosif Chișinevschi, Leonte Răutu, he was considered "invulnerable", and got away with criticizing the regime, mostly in private, when anybody else would have ended in prison for the same offence.[2] Although he hoped, due to his antifascist past, to be given important government positions like his former comrades, he never got any, being sent instead to work for several magazines and papers.[1][2]
He and Sorin Toma bitterly criticized Tudor Arghezi in 1948, accusing the latter of being a representative of "decadent, bourgeois art".[3][4][5]
In 1965, Paraschivescu took charge of the readers' column at the literary magazine Ramuri in Craiova, changing it in May 1966 into a four-page literary supplement called Povesta vorbei ("The Tale of Talk"). It lasted only six numbers.[6] He transformed it into a meeting place for a number of young avant-garde writers who had difficulty getting published by the established literary press.[6] Among them were Leonid Dimov, Virgil Mazilescu, and Dumitru Țepeneag.
Known for being sometimes a "difficult person" and a "big mouth",[2] Paraschivescu was hospitalized at least twice in mental institutions.[1][7]
Somewhat of a Don Juan, Paraschivescu was married five times.[8]
- ^ a b c d "Un cobai al ideologizării: Miron Radu Paraschivescu (I)" (in Romanian). Observator Cultural. October 21, 2011. Retrieved January 4, 2014.
- ^ a b c "Miron Radu Paraschivescu Arhivele Sfera Politicii". Retrieved January 4, 2014.
- ^ "Cu sinceritate despre Arghezi: "Domnu' Dej, vreau niște cegă!"". jurnalul.ro (in Romanian). Archived from the original on January 4, 2014. Retrieved January 4, 2014.
- ^ "Confesiunile lui Sorin Toma, redactor-șef la cel mai mare ziar al României, în cea mai întunecată epocă a presei". Adevărul (in Romanian). 2 March 2013. Retrieved January 4, 2014.
- ^ "Traiectoria lui Arghezi" (in Romanian). Observator Cultural. Retrieved January 4, 2014.
- ^ a b Deletant, Dennis (1995). Ceausescu and the Securitate,- Dissent and Coercion in Romania 1965–1985. C. Hurst & Co. pp. 175, 176.
- ^ Dobre, Ana (2008). "Miron Radu Paraschivescu – portret sub lupe infidele" (in Romanian). Retrieved January 5, 2014.
- ^ "Miron Radu Paraschivescu – Iubiri și erotism" (PDF) (in Romanian). pro-saeculum.ro. 2008. Archived from the original (PDF) on January 5, 2014. Retrieved January 5, 2014.