Mods and rockers

Mods and rockers were two conflicting British youth subcultures of the late 1950s to mid 1960s. Media coverage of the two groups fighting in 1964 sparked a moral panic about British youth, and they became widely perceived as violent, unruly troublemakers.

The rocker subculture was centred on motorcycling. Rockers generally wore protective clothing such as black leather jackets and motorcycle boots or brothel creepers. The style was influenced by Marlon Brando in the 1953 film The Wild One.^[1] The common rocker hairstyle was a pompadour, while their music genre of choice was 1950s rock and roll and R&B, played by artists including Eddie Cochran, Gene Vincent, and Bo Diddley, as well as British rock and roll musicians such as Billy Fury and Johnny Kidd.

The mod subculture was centred on fashion and music, and many mods wore parkas and rode scooters. Mods wore suits and other cleancut outfits, and listened to music genres such as modern jazz, soul, Motown, ska and British blues-rooted bands like the Yardbirds, the Small Faces, and later the Who and the Jam. The Who wrote a portrait of the cultures with their 1973 album and movie score Quadrophenia.^[2]