Morgan Hall Fisher | |
|---|---|
| Born | 1942 (age 81–82) Washington, D.C., United States |
| Occupation(s) | Experimental filmmaker, artist |
| Years active | 1968–present |
| Known for | Structuralist and minimalist films |
| Awards | Guggenheim Fellowship (1987) |
Morgan Hall Fisher (born 1942, in Washington, D.C.) is an American experimental filmmaker and artist best known for his structuralist and minimalist films referencing the material processes of celluloid film and the means and methods of producing moving images, including the camera, the director and crew, and the editing process. Since the 1990s, Fisher has also been producing paintings and installation works. His work has been included in three Whitney Biennial exhibitions, 1985, 2004 and 2014. He was awarded a Guggenheim Fellowship in 1987.[1]
Fisher's work has been noted for its relationship to the Southern California landscape and its architecture during a time when the region was staking an aesthetic and intellectual claim in the larger art world. Curator and critic Stuart Comer writes, "Windshields, billboards, movie screens, ocean views, econ-o-box apartment buildings and long expanses of asphalt and concrete form a unique Angeleno vocabulary of monochrome surfaces on which the symbolic configuration called California is played out. This seemingly limitless expanse of flat planes is the arena in which Fisher has staked his challenge to existing regimes of representation and narrative."[2]