Naina | |
---|---|
Directed by | Shripal Morakhia |
Screenplay by | Shripal Morakhia |
Based on | The Eye by Pang brothers |
Produced by | Sagar Pandya Anjum Rajabali Rakesh Mehra |
Starring | Urmila Matondkar Anuj Sawhney Amardeep Sinha Shweta Konnur Kamini Khanna |
Cinematography | C.K. Muralidharan |
Edited by | Amitabh Shukla Sanjay Shukla |
Music by | Salim–Sulaiman |
Production company | iDream Productions |
Distributed by | SPE Films India |
Release date |
|
Running time | 103 minutes |
Country | India |
Language | Hindi |
Budget | ₹5 crore[1] |
Box office | ₹6.94 crore[1] |
Naina is a 2005 Indian Hindi-language supernatural horror film directed by Shripal Morakhia and starring Urmila Matondkar as the titular character who loses her sight as a child, regains it as an adult with corneal transplantation and starts seeing images beyond the general surroundings.[2] The film is an unofficial remake of the 2002 Hong Kong-Singaporean horror film The Eye directed by the Pang brothers, with a subplot borrowed from the 2002 Japanese film Dark Water.[a][3][4][5]
The film was premiered in the Marché du Film section of the 2005 Cannes Film Festival.[6][7] Released theatrically on 20 May 2005, Naina flopped at the box office, grossing ₹6.94 crore against a ₹5 crore budget.[1] It was also controversial because its depiction of the protagonist seeing ghosts after receiving a corneal transplantation was similar to existing fears in India surrounding corneal transplants and it was feared the film would discourage people from donating corneas or seeking corneal transplants.[8][9][10]
Two scenes later, however, it becomes a tacky scene-to-scene reproduction of the Chinese supernatural hit, Jian Gui aka The Eye [...] The entire girl-in-a-raincoat sub-plot is conveniently borrowed from Hideo Nakata's Japanese horror, Honogurai Mizu No Soko Kara, aka Dark Water.
He's even more stupefied by the premature assessments that his film is a "scene by scene" remake of the Chinese film The Eye [...] But to say that Naina is a remake of any one particular film is completely wrong. This is my own film, and that's the way I want to see it.
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