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Natasha Johns-Messenger (born 1970)[1] is an Australian conceptual artist and filmmaker, who has lived and worked in New York and Melbourne.[2] Johns-Messenger is best known for her large-scale site-determined installations that examine spatial perception and light.[3] Her work is a process of imitation, illusion and trickery, often activated by architectural interventions and optical physics.[4]
Johns-Messenger's practice includes photography, digital painting and sculpture.