Natasha Johns-Messenger

Natasha Johns-Messenger (born 1970)[1] is an Australian conceptual artist and filmmaker, who has lived and worked in New York and Melbourne.[2] Johns-Messenger is best known for her large-scale site-determined installations that examine spatial perception and light.[3] Her work is a process of imitation, illusion and trickery, often activated by architectural interventions and optical physics.[4]

Natasha Johns-Messenger, Automated Logic, NEW 06, Australian Centre for Contemporary Art (ACCA), 2006. Curated by Juliana Engberg

Johns-Messenger's practice includes photography, digital painting and sculpture.

Natasha Johns-Messenger, Automated Logic, NEW 06, Australian Centre for Contemporary Art (ACCA), 2006. Curated by Juliana Engberg
  1. ^ "Natasha Johns-Messenger - Installation Artist and Filmmaker". Bianca Charleston. Retrieved 3 September 2021.
  2. ^ Crafti, Stephen (2 May 2010). "If they Can Make it There". The Sydney Morning Herald.
  3. ^ Wise, Kit (March 2005). "Pointform". UN Magazine: 28–29.
  4. ^ Colless, Edward (3 April 2006). "Inside the fantasy world of the edgy". The Australian.