| Night Song | ||||
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| Studio album by | ||||
| Released | 20 February 1996 | |||
| Recorded | 1995 | |||
| Studio | Real World Studios, Wiltshire | |||
| Genre | ||||
| Length | 48:01 | |||
| Label | Real World Records | |||
| Producer | Michael Brook | |||
| Nusrat Fateh Ali Khan and Michael Brook chronology | ||||
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Night Song is a collaborative studio album by Pakistani qawwali singer Nusrat Fateh Ali Khan and Canadian ambient musician, guitarist and producer Michael Brook. Recorded in 1995 and released in 1996 on Real World Records, it was Khan's last album released on the label during his lifetime. Khan and Brook had previously collaborated for Mustt Mustt (1990), a critically acclaimed world fusion album said to have led Pakistani youth to discover Sufi religious music. The two had not worked for some time but collaborated again for a new album in 1995, naming the album Night Song. The album was produced by Brook, who developed an innovative but difficult production process for the album. Khan recorded improvisations for the album, and Brook had to decide which sections, some of which were an hour long, were the best and how they were going to fit together, without having a structural point of reference to start with or aim towards. He had components recorded on multi-track tapes, and created each track part by part, overdubbing his instrumentation atop of it, a manual process that predated easy forms of digital editing.
The album is considered a world fusion album, combining Khan's qawwali vocals with Brook's ambient production, and is often considered to be one of Khan's most experimental albums, featuring contributions from Senegalese and classically trained musicians. The songs on the album were written collaboratively between the duo.[1] The album contains down-to-earth lyrics about relationships and spiritual cleanliness, although Consumable Online noted that, despite this, “the two artists make an obvious, pronounced effort to lead one down a path of pure spiritual ecstasy.”[1] Upon its February 1996,[2] it charted at number 4 on the Billboard Top World Music Albums chart and number 65 on the UK Album Chart, and was critically acclaimed, with one review declaring it “a most intoxicating spiritually uplifting cross-cultural expression,”[3] and another calling it "elegant and entrancing."[3] The album was nominated for a Grammy Award for Best World Music Album in 1997, but lost out to The Chieftains’ album Santiago. Several months earlier, Mojo had named it the 21st best album of 1996 in their year-end “Albums of the Year” list.[4] Songs from this album and Mustt Mustt were remixed for the pair's dubtronica-orientated remix album Star Rise, released in 1997.