 | This article relies largely or entirely on a single source. (August 2021) |
 First Edition 1977 by Presses Universitaires de France | |
| Author | Jacques Attali |
|---|---|
| Translator | Brian Massumi |
| Cover artist | Pieter Breughel the Elder The Fight Between Carnival and Lent (1559) |
| Language | French / English |
| Genre | Non-fiction |
| Publisher | Presses Universitaires de France/ University of Minnesota Press (US) |
Publication date | 1977 |
| Publication place | France |
| Media type | |
| ISBN | 0-8166-1286-2 |
| OCLC | 11549283 |
| 780/.07 19 | |
| LC Class | ML3795 .A913 1985 |
Noise: The Political Economy of Music is a book by French economist and scholar Jacques Attali which is about the role of music in the political economy.
Attali's essential argument in Noise: The Political Economy of Music (French title: Bruits: essai sur l'economie politique de la musique) is that music, as a cultural form, is intimately tied up in the mode of production in any given society. Although this idea is familiar in strands of Marxism, the novelty of Attali's work is that it reverses the traditional understandings about how revolutions in the mode of production take place:
"[Attali] is the first to point out the other possible logical consequence of the “reciprocal interaction” model—namely, the possibility of a superstructure to anticipate historical developments, to foreshadow new social formations in a prophetic and annunciatory way. The argument of Noise is that music, unique among the arts for reasons that are themselves overdetermined, has precisely this annunciatory vocation; that the music of today stands both as a promise of a new, liberating mode of production, and as the menace of a dystopian possibility which is that mode of production’s baleful mirror image."[1]
- ^ Fredric Jameson, from the "Foreword" to Noise