Japanese-American photographer
Osamu James Nakagawa (born 1962) is a Japanese-American photographer.[1][2] He is known for multiple, cross-cultural series exploring geopolitical landscape, family, memory and personal identity, including his own transnational experience.[3][4][5][6] He initially gained notice as an early digital photographer, however his work has ranged between digital color and black-and-white imagery, and computer-manipulated collage, traditional "straight" photography and large photographic installation.[7][8][9] Writers such as curator Anne Wilkes Tucker describe his work as challenging, layered and in a poetic vein, rather than documentary or narrative in nature.[10]
Nakagawa has received a Guggenheim Fellowship and awards from the cities of Higashikawa and Sagamihara in Japan, among others.[5][8] He has exhibited internationally at venues including the Metropolitan Museum of Art,[11] Tokyo Photographic Art Museum,[12][13] Museum of Fine Arts, Houston,[14] and Sakima Art Museum in Japan.[15] His work belongs to the public collections of those museums and others, including the Museum of Contemporary Photography and George Eastman Museum.[16][17][18][19] Nakagawa is a professor of photography at Indiana University and lives and works in Bloomington, Indiana.[20][21]
- ^ Cookman, Claude. "Kai: Following the Cycle of Life in Osamu James Nakagawa’s family photographs," Exposure, Society for Photographic Education, Spring 2017. Retrieved July 29, 2021.
- ^ Kraft, Coralie. "Kai: Following the Cycle of Life," Lens Culture, 2017. Retrieved July 29, 2021.
- ^ Loke, Margaret. "Exploring Alienation Through Windows, Bare Trees and Murky Enigmas," The New York Times, February 16, 2001, p. E40. Retrieved July 29, 2021.
- ^ Morgan, Robert C. "Miyako Ishiuchi and Osamu James Nakagawa," ARTnews, June, 2003.
- ^ a b Ksander, Yael. "Focus on a Tragic Landscape: Guggenheim Fellow Osamu James Nakagawa," Indiana Public Media, May 5, 2009. Retrieved July 29, 2021.
- ^ Teicher, Jordan G. "Japan’s Mysterious and Beautiful Caves," Slate, May 18, 2014. Retrieved July 29, 2021.
- ^ Dam, Julie K.L. and Emily Michell, Stacy Perman. "Virtual Light Shines in the Darkroom, Metamorphoses: Fashion Institute of Technology, New York City," Time Magazine International edition, September 26, 1994, p. 62.
- ^ a b Kusumoto, Aki. "Osamu James Nakagawa interview," Photography Annual 2011, Nippon Camera, Japan.
- ^ The Eye of Photography. "Osamu James Nakagawa’s touching family diary," April 23, 2018. Retrieved July 30, 2021.
- ^ Tucker, Anne Wilkes. "Osamu James Nakagawa," Contact Sheet: The Light Work Annual 2003, Syracuse, NY: Light Work, 2003. Retrieved July 30, 2021.
- ^ Cattan, Dani. "Osamu James Nakagawa: The Banta Ciffs, at the MET," En Foco, October 24, 2012.
- ^ Hiraki, Osamu. "The 1st Tokyo International Photo-Biennale," Asahi Camera, June 1995.
- ^ Tokyo Art Beat. "From the Cave, Tokyo Photographic Art Museum", 2019. Retrieved July 30, 2021.
- ^ Klaasmeyer, Kelly. "War/Photography," Houston Press, January 9, 2013. Retrieved July 30, 2021.
- ^ Lens Culture. About Osamu James Nakagawa. Retrieved July 29, 2021.
- ^ The Metropolitan Museum of Art. Okinawa 001, 2008, Osamu James Nakagawa, Collection. Retrieved July 30, 2021.
- ^ Museum of Fine Arts, Houston. Osamu James Nakagawa, People. Retrieved July 30, 2021.
- ^ Museum of Contemporary Photography. End of the Day, from the "Ma" series, Objects. Retrieved July 30, 2021.
- ^ George Eastman Museum. Gas Mask, Osamu James Nakagawa, Objects. Retrieved July 30, 2021.
- ^ John Simon Guggenheim Memorial Foundation. Osamu James Nakagawa, Fellows. Retrieved July 29, 2021.
- ^ Indiana University. Osamu James Nakagawa, Faculty. Retrieved July 30, 2021.