| Panopticon | ||||
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| Studio album by | ||||
| Released | October 19, 2004 | |||
| Recorded | Paramount Studios, Los Angeles, California, June–July 2004 | |||
| Genre | Post-metal, sludge metal, progressive metal | |||
| Length | 59:03 | |||
| Label | Ipecac (CD) (IPC-057) Trust No One (vinyl) (TNO027) (Europe) Robotic Empire (vinyl) (ROBO 041) (US) Daymare Recordings (CD) (PTCD-1012) (Japan) | |||
| Producer | Isis, Matt Bayles | |||
| ISIS chronology | ||||
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| Vinyl edition cover | ||||
&sq=Qlik&lang=&file=File:Isis_-_Panopticon_vinyl.jpg) The cover of Robotic Empire's vinyl edition. | ||||
Panopticon is the third full-length album by Los Angeles, California based post-metal band ISIS, released by Ipecac Recordings in 2004. The album's title is derived from philosopher Jeremy Bentham's panopticon prison ideal and philosopher/historian Michel Foucault's later allegorical appropriation of the concept. The liner notes also include quotes from technology writer Howard Rheingold and futurist Alex Steffen; as a concept album, Panopticon's focus is on the proliferation of surveillance technologies throughout modern society and the government's role in that spread.
Critical response to Panopticon was generally very warm; as it followed 2002's critically acclaimed Oceanic, many reviewers were quick to hold the two in comparison. The consensus was that Panopticon represented a progression, of sorts. The album's sound continued ISIS' departure from the strictures of sludge and metal – which had been the hallmarks of their earlier material – and continued along the trajectory of post-metal, achieved by heightened use of melody and clean vocals.
On April 29, 2014 a deluxe version of Panopticon, remastered by Mika Jussila, was released by Ipecac Recordings. It contains extra music in the transitions to and from "Wills Dissolve," adding 10 seconds to the overall running time of the album.