Patrick Webb | |
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Born | 1955 New York, New York, United States |
Nationality | American |
Education | Yale University, Skowhegan School of Painting and Sculpture, Maryland Institute College of Art |
Known for | Painting |
Awards | John Simon Guggenheim Memorial Foundation, National Academy Museum, National Endowment for the Arts, Ingram Merrill Foundation |
Website | Patrick Webb |
Patrick Webb (born 1955) is an American artist who has portrayed contemporary queer experience through representational narrative paintings.[1][2][3] He is best known for his "Punchinello" paintings, begun in the early 1990s, which feature a gay "everyman" based on the Italian commedia dell'arte stock character, Pulcinella.[4][5][6] Art historians Jonathan D. Katz and Jonathan Weinberg place Webb among artists who that gave voice to the loss and grief associated with the AIDS epidemic by looking beyond the message-heavy activist art and anti-expressive postmodernism of the 1980s to reinvigorated art-historical narrative traditions.[1][2][7] Writers note his work for its classically influenced technique and pathos in fleshing out fears, fantasies, experiences and social dichotomies between self and Other, individual and collective, personal and sociocultural.[8][9][10] He draws on pictorial strategies from old masters as well as modern artists such as Balthus, Jacob Lawrence, Philip Guston and the magic realist Jared French, building scenarios out of architecturally structured compositions, carefully placed elements and precise gestures.[11][12][13]
Webb has received a Guggenheim Fellowship (2016) and awards from the National Endowment for the Arts and National Academy Museum, among others.[14][15] He has been a professor at Pratt Institute in Brooklyn since 1995 and lives with his husband, a psychoanalyst, in New York City.[16][9][17]