Peak programme meter

A typical British quasi-PPM. Each division between '1' and '7' is exactly four decibels and '6' is the intended maximum level.

A peak programme meter (PPM) is an instrument used in professional audio that indicates the level of an audio signal.

Different kinds of PPM fall into broad categories:

  • True peak programme meter. This shows the peak level of the waveform no matter how brief its duration.
  • Quasi peak programme meter (QPPM). This only shows the true level of the peak if it exceeds a certain duration, typically a few milliseconds. On peaks of shorter duration, it indicates less than the true peak level. The extent of the shortfall is determined by the 'integration time'.
  • Sample peak programme meter (SPPM). This is a PPM for digital audio. It shows only peak sample values, not true waveform peaks (which may fall between samples and may be higher in amplitude).[1] It may have either a 'true' or a 'quasi' integration characteristic.
  • Over-sampling peak programme meter. This is a sample PPM that first oversamples the signal, typically by a factor of four, to alleviate the problems of a basic sample PPM.

In professional use, which requires consistent level measurements across an industry, audio level meters often comply with a formal standard. This ensures that all compliant meters indicate the same level for a given audio signal. The principal standard for PPMs is IEC 60268-10. It describes two different quasi-PPM designs that have roots in meters originally developed in the 1930s for the AM radio broadcasting networks of Germany (Type I) and the United Kingdom (Type II). The term Peak Programme Meter usually refers to these IEC-specified types and similar designs. Though originally designed for monitoring analogue audio signals, these PPMs are now also used with digital audio.

PPMs do not provide effective loudness monitoring. Newer types of meter do, and there is now a push within the broadcasting industry to move away from the traditional level meters in this article to two new types: loudness meters based on EBU Tech. 3341 and oversampling true PPMs. The former would be used to standardise broadcast loudness to −23 LUFS and the latter to prevent digital clipping.[2]

  1. ^ Archimago (29 September 2018). "Archimago's Musings: MUSINGS / MEASUREMENTS: A look at Intersample Peaks and Overload Tolerance... (RME ADI-2 Pro FS, TEAC UD-501, Oppo UDP-205)". Archimago's Musings. Retrieved 2 October 2023. there is the potential for the ISP to be up +8dBFS
  2. ^ "Loudness normalisation and permitted maximum level of audio signals" (PDF), EBU Rec. R 128, European Broadcasting Union, 30 August 2010