Phallic architecture consciously or unconsciously creates a symbolic representation of the human penis.[1] Buildings intentionally or unintentionally resembling the human penis are a source of amusement to locals and tourists in various places around the world. Deliberate phallic imagery is found in ancient cultures and in the links to ancient cultures found in traditional artifacts.
The ancient Greeks and Romans celebrated phallic festivals and built a shrine with an erect phallus to honor Hermes, messenger of the gods. Those figures may be related to the ancient Egyptian deity Min who was depicted holding his erect phallus. Figures of women with a phallus for a head have been found across Greece and Yugoslavia. Phallic symbolism was prevalent in the architectural tradition of ancient Babylon. The Romans, who were deeply superstitious, also often used phallic imagery in their architecture and domestic items. The ancient cultures of many parts of the Far East, including Indonesia, India, Korea and Japan, used the phallus as a symbol of fertility in motifs on their temples and in other areas of everyday life.
Scholars of anthropology, sociology, and feminism have alleged a symbolic nature of phallic architecture, especially large skyscrapers which dominate the landscape, supposedly as symbols of male domination, power and political authority. Towers and other vertical structures may unintentionally or perhaps subconsciously have those connotations. There are many examples of modern architecture that can be interpreted as phallic, but very few for which the architect has specifically cited or admitted that meaning as an intentional aspect of the design.