Phallus paintings in Bhutan are esoteric symbols, which have their origins in the Chimi Lhakhang monastery near Punakha, the former capital of Bhutan. The village monastery was built in honour of Lama Drukpa Kunley who lived at the turn of the 16th century and who was popularly known as the "Mad Saint" (nyönpa) or “Divine Madman” for his unorthodox ways of teaching, which amounted to being bizarre and shocking.[1] These explicit paintings have become embarrassing to many of the country's urbanites, and this form of folk culture is informally discouraged in urban centers as modern Abrahamic cultural norms of shaming the human body and sexuality have spread in Bhutan's urban centers.[2] [3]
However phallus paintings can still be seen on the walls of houses and buildings throughout Bhutan, particularly in villages, and are credited as Kunley's creations.[4][5] Traditionally symbols of an erect penis in Bhutan have been intended to drive away the evil eye and malicious gossip.[6] The phallic symbols are generally not depicted in community temples and dzongs, which are places of worship where lamas or Buddhist monks and nuns who have adopted celibate lifestyles live. However, rural and ordinary houses continue to display them.[7][8]
While the history of use of phallus symbols is generally traced to Drukpa Kunley, studies carried out at the Center of Bhutan Studies (CBS) have inferred that the phallus was an integral part of the early ethnic religion associated with Bon that existed in Bhutan before Buddhism became the state religion. In Bon, the phallus was integral to all rituals.[7] Dasho Lam Sanga, a former principal of the Institute of Language and Culture Studies (ILCS), while acknowledging that there are no written documents regarding the subject, refers to the oral history: "But the worship of the phallus was believed to be in practice even before the arrival of Guru Rinpoche and Shabdrung Ngawang Namgyal ... What we know about it is what we heard from our forefathers."[7]
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