Phil Cohen | |
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Born | 1943 London, England, UK |
Died | 2024 |
Nationality | British |
Occupation(s) | Writer and cultural activist |
Known for | Sociology of youth culture; impact of urban regeneration on working class culture; theories of racism and identity. Also a high profile leader of squatters rights movement in London (1960–1970s). |
Spouse(s) | Jean McNeil, painter |
Academic background | |
Education | St Pauls School, Cambridge University, PhD by publication |
Influences | Basil Bernstein; Gregory Bateson; Michail Bakhtin; Bruno Latour |
Academic work | |
Discipline | Sociologist, ethnographer |
Website | https://philcohenworks.com/ |
Phil Cohen (1943-2024) was a British cultural theorist, urban ethnographer, community activist, educationalist and poet. He was involved in the London underground counter-culture scene and gained public notoriety as "Dr John", a leader in the squatter's rights movement but is now better known for his work on youth culture and the impact of urban regeneration on working-class communities, particularly in East London, with a focus on issues of race and popular racism. More recently the scope of his work has widened to includes issues of identity politics, memory and loss, and the future of the Left in Britain. His most recent writing and research focuses on the transformation of object relations within digital capitalism, especially in relation to the Covid-19 pandemic and the environmental crisis.Most recently (2023) he has embarked on a series of collaborative book projects with graphic artists. Cohen's academic work is trans-disciplinary and draws on concepts from linguistics and narratology, psycho-analysis and anthropology, cultural history and social phenomenology. He is currently (2024) Emeritus Professor at the Centre for Cultural Studies at the University of East London, and a member of the Livingmaps Network which he founded in 2013.Cohen is also a member of Compass, a Gramscian think tank within the Labour Party and is on the editorial board of New Formations. His work has been translated into French, German, Swedish, Italian, French and Japanese.[1]