Pier Paolo Pasolini | |
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Born | Bologna, Kingdom of Italy | 5 March 1922
Died | 2 November 1975 Ostia, Italy | (aged 53)
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Alma mater | University of Bologna |
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Pier Paolo Pasolini (Italian: [ˈpjɛr ˈpaːolo pazoˈliːni]; 5 March 1922 – 2 November 1975) was an Italian poet, film director, writer, actor and playwright. He is considered one of the defining public intellectuals in 20th-century Italian history, influential both as an artist and a political figure.[1][2][3][4] He is known for directing the films from Trilogy of Life (The Decameron, The Canterbury Tales and Arabian Nights) and Salò, or the 120 Days of Sodom.
A controversial personality due to his straightforward style, Pasolini's legacy remains contentious. Openly gay while also a vocal advocate for heritage language revival, cultural conservatism, and Christian values in his youth, Pasolini became an avowed Marxist shortly after the end of World War II.[5] He began voicing extremely harsh criticism of Italian petty bourgeoisie and what he saw as the Americanization, cultural degeneration, and greed-driven consumerism taking over Italian culture.[6] As a filmmaker, Pasolini often juxtaposed socio-political polemics with an extremely graphic and critical examination of taboo sexual matters. A prominent protagonist of the Roman intellectual scene during the post-war era, Pasolini became an established and major figure in European literature and cinema.
Pasolini's unsolved and extremely brutal abduction, torture, and murder at Ostia in November 1975 prompted an outcry in Italy, where it continues to be a matter of heated debate. Recent leads by Italian cold case investigators suggest a contract killing by the Banda della Magliana, a criminal organisation with close links to far-right terrorism, as the most likely cause.[7]
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was invoked but never defined (see the help page).