Poigai Alvar | |
|---|---|
 Murti of Poigai Alvar, Sri Appan Venkatachalapati Temple, Cheranmahadevi | |
| Personal | |
| Born | 4203 BCE[1][2] Tiruvekkaa near Kanchipuram |
| Religion | Hinduism |
| Organization | |
| Philosophy | Vaishnavism Bhakti |
| Religious career | |
| Literary works | Mutal Tiruvantati |
Poigai Alvar was one of the twelve Alvar saints of South India, who are known for their affiliation to Vaishnava tradition of Hinduism. The verses of Alvars are compiled as Nalayira Divya Prabandham and the 108 temples revered are classified as Divya Desam. Poigai is one of the three principal Alvars, with the other two being Bhoothath Alvar and Peyalvar, collectively called Mutalamalvargal, who are regarded to be born out of divinity. Poigai composed hundred verses that are classified as Mutal Tiruvantati, and his composition is set in the antati style, in which the ending syllable is the starting one for the next verse.
According to traditional account, the first three Alvars belong to Dvapara Yuga (before 4200 BCE). As per Hindu legend, Poigai was found in a small pond near the Yadhotakaari temple at Tiruvekkaa. In Tamil, small pond is called poigai, and since he was found in a pond, he got the name Poigai.
As per legend, the three Alvars were once confined in a small dark enclosure during a rain in Thirukovilur and they experienced a fourth individual among them. They found out that it was god Vishnu and Poigai Alvar wished to see his face continuously but could view only from the simmering light of the lightning. With a view to maintain the continuity of light, he instantly composed hundred songs wishing light to emerge. The other two continued composing hundred songs each on Vishnu. The works of these earliest saints contributed to the philosophical and theological ideas of Vaishnavism. Along with the three Shaiva Nayanmars, they influenced the ruling Pallava kings of the South Indian region, resulting in changing the religious geography from Buddhism and Jainism to the two sects[clarification needed] of Hinduism.
- ^ L. Annapoorna (2000). Music and temples, a ritualistic approach. p. 23. ISBN 9788175740907.
- ^ Sakkottai Krishnaswami Aiyangar (1911). Ancient India: Collected Essays on the Literary and Political History of Southern India. pp. 403–404. ISBN 9788120618503.