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United States Marine practicing martial arts, 2008

Martial arts are codified systems and traditions of combat practiced for a number of reasons such as self-defence; military and law enforcement applications; competition; physical, mental, and spiritual development; entertainment; and the preservation of a nation's intangible cultural heritage. (Full article...)

Although the earliest evidence of martial arts goes back millennia, the true roots are difficult to reconstruct. Inherent patterns of human aggression which inspire practice of mock combat (in particular wrestling) and optimization of serious close combat as cultural universals are doubtlessly inherited from the pre-human stage and were made into an "art" from the earliest emergence of that concept. Indeed, many universals of martial art are fixed by the specifics of human physiology and not dependent on a specific tradition or era.

Specific martial traditions become identifiable in Classical Antiquity, with disciplines such as shuai jiao, Greek wrestling or those described in the Indian epics or the Spring and Autumn Annals of China. (Full article...)

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  • Image 1 5th-century terracotta sculpture of wrestlers from Uttar Pradesh, India. Malla-yuddha (Sanskrit: मल्लयुद्ध, IAST: mallayuddha) is the traditional form of combat-wrestling originating in the Indian subcontinent. It is closely related to Southeast Asian wrestling styles such as naban and is one of the two ancestors of kushti. Indian wrestling is described in the 13th century Malla Purana. Malla-yuddha incorporates wrestling, joint-breaking, punching, biting, choking and pressure point striking. Matches were traditionally codified into four types which progressed from purely sportive contests of strength to actual full-contact fights known as yuddha. Due to the extreme violence, this final form is generally no longer practised. The second form, wherein the wrestlers attempt to lift each other off the ground for three seconds, still exists in south India. Additionally, malla-yuddha is divided into four categories (see below). Each yuddhan is named after Hindu gods and legendary fighters: Hanumanti - concentrates on technical superiority. Jambuvanti - uses locks and holds to force the opponent into submission. Jarasandhi - concentrates on breaking the limbs and joints while fighting. Bhimaseni - focuses on sheer strength. (Full article...)

    5th-century terracotta sculpture of wrestlers from Uttar Pradesh, India.

    Malla-yuddha (Sanskrit: मल्लयुद्ध, IAST: mallayuddha) is the traditional form of combat-wrestling originating in the Indian subcontinent. It is closely related to Southeast Asian wrestling styles such as naban and is one of the two ancestors of kushti. Indian wrestling is described in the 13th century Malla Purana.

    Malla-yuddha incorporates wrestling, joint-breaking, punching, biting, choking and pressure point striking. Matches were traditionally codified into four types which progressed from purely sportive contests of strength to actual full-contact fights known as yuddha. Due to the extreme violence, this final form is generally no longer practised. The second form, wherein the wrestlers attempt to lift each other off the ground for three seconds, still exists in south India. Additionally, malla-yuddha is divided into four categories (see below). Each yuddhan is named after Hindu gods and legendary fighters:
    • Hanumanti - concentrates on technical superiority.
    • Jambuvanti - uses locks and holds to force the opponent into submission.
    • Jarasandhi - concentrates on breaking the limbs and joints while fighting.
    • Bhimaseni - focuses on sheer strength.
    (Full article...)
  • Image 2 A retiarius stabs at a secutor with his trident in this mosaic from the villa at Nennig, c. 2nd–3rd century CE. A retiarius (plural retiarii; literally, "net-man" in Latin) was a Roman gladiator who fought with equipment styled on that of a fisherman: a weighted net (rete (3rd decl.), hence the name), a three-pointed trident (fuscina or tridens), and a dagger (pugio). The retiarius was lightly armoured, wearing an arm guard (manica) and a shoulder guard (galerus). Typically, his clothing consisted only of a loincloth (subligaculum) held in place by a wide belt, or of a short tunic with light padding. He wore no head protection or footwear. The retiarius was routinely pitted against a heavily armed secutor. The net-fighter made up for his lack of protective gear by using his speed and agility to avoid his opponent's attacks and waiting for the opportunity to strike. He first tried to throw his net over his rival. If this succeeded, he attacked with his trident while his adversary was entangled. Another tactic was to ensnare his enemy's weapon in the net and pull it out of his grasp, leaving the opponent defenceless. Should the net miss or the secutor grab hold of it, the retiarius likely discarded the weapon, although he might try to collect it back for a second cast. Usually, the retiarius had to rely on his trident and dagger to finish the fight. The trident, as tall as a human being, permitted the gladiator to jab quickly, keep his distance, and easily cause bleeding. It was not a strong weapon, usually inflicting non-fatal wounds so that the fight could be prolonged for the sake of entertainment. The dagger was the retiarius's final backup should the trident be lost. It was reserved for when close combat or a straight wrestling match had to settle the bout. In some battles, a single retiarius faced two secutores simultaneously. For these situations, the lightly armoured gladiator was placed on a raised platform and given a supply of stones with which to repel his pursuers. (Full article...)
    A retiarius stabs at a secutor with his trident in this mosaic from the villa at Nennig, c. 2nd–3rd century CE.


    A retiarius (plural retiarii; literally, "net-man" in Latin) was a Roman gladiator who fought with equipment styled on that of a fisherman: a weighted net (rete (3rd decl.), hence the name), a three-pointed trident (fuscina or tridens), and a dagger (pugio). The retiarius was lightly armoured, wearing an arm guard (manica) and a shoulder guard (galerus). Typically, his clothing consisted only of a loincloth (subligaculum) held in place by a wide belt, or of a short tunic with light padding. He wore no head protection or footwear.

    The retiarius was routinely pitted against a heavily armed secutor. The net-fighter made up for his lack of protective gear by using his speed and agility to avoid his opponent's attacks and waiting for the opportunity to strike. He first tried to throw his net over his rival. If this succeeded, he attacked with his trident while his adversary was entangled. Another tactic was to ensnare his enemy's weapon in the net and pull it out of his grasp, leaving the opponent defenceless. Should the net miss or the secutor grab hold of it, the retiarius likely discarded the weapon, although he might try to collect it back for a second cast. Usually, the retiarius had to rely on his trident and dagger to finish the fight. The trident, as tall as a human being, permitted the gladiator to jab quickly, keep his distance, and easily cause bleeding. It was not a strong weapon, usually inflicting non-fatal wounds so that the fight could be prolonged for the sake of entertainment. The dagger was the retiarius's final backup should the trident be lost. It was reserved for when close combat or a straight wrestling match had to settle the bout. In some battles, a single retiarius faced two secutores simultaneously. For these situations, the lightly armoured gladiator was placed on a raised platform and given a supply of stones with which to repel his pursuers. (Full article...)
  • Image 3 Final of the Challenge Réseau Ferré de France–Trophée Monal 2012, épée world cup tournament in Paris. Fencing is a combat sport that features sword fighting. The three disciplines of modern fencing are the foil, the épée, and the sabre (also saber); each discipline uses a different kind of blade, which shares the same name, and employs its own rules. Most competitive fencers specialise in one discipline. The modern sport gained prominence near the end of the 19th century and is based on the traditional skill set of swordsmanship. The Italian school altered the historical European martial art of classical fencing, and the French school later refined that system. Scoring points in a fencing competition is done by making contact with an opponent. The 1904 Olympics Games featured a fourth discipline of fencing known as singlestick, but it was dropped after that year and is not a part of modern fencing. Competitive fencing was one of the first sports to be featured in the Olympics and, along with athletics, cycling, swimming, and gymnastics, has been featured in every modern Olympics. (Full article...)

    Final of the Challenge Réseau Ferré de France–Trophée Monal 2012, épée world cup tournament in Paris.

    Fencing is a combat sport that features sword fighting. The three disciplines of modern fencing are the foil, the épée, and the sabre (also saber); each discipline uses a different kind of blade, which shares the same name, and employs its own rules. Most competitive fencers specialise in one discipline. The modern sport gained prominence near the end of the 19th century and is based on the traditional skill set of swordsmanship. The Italian school altered the historical European martial art of classical fencing, and the French school later refined that system. Scoring points in a fencing competition is done by making contact with an opponent.

    The 1904 Olympics Games featured a fourth discipline of fencing known as singlestick, but it was dropped after that year and is not a part of modern fencing. Competitive fencing was one of the first sports to be featured in the Olympics and, along with athletics, cycling, swimming, and gymnastics, has been featured in every modern Olympics. (Full article...)
  • Image 4 A pair of tonfa The tonfa (Okinawan: トンファー tonfā, Chinese: 柺; pinyin: guǎi lit. old man's staff / "crutch", also spelled as tongfa or tuifa, also known as T-baton) is a melee weapon with its origins in the armed component of Okinawan martial arts where it is known as the tunkua. It consists of a stick with a perpendicular handle attached a third of the way down the length of the stick, and is about 15–20 inches (380–510 mm) long. It was traditionally made from red or white oak, and wielded in pairs. The tonfa is believed to have originated in either China, Okinawa or Southeast Asia, where it is used in the respective fighting styles. (Full article...)
    A pair of tonfa

    The tonfa (Okinawan: トンファー tonfā, Chinese: 柺; pinyin: guǎi lit. old man's staff / "crutch", also spelled as tongfa or tuifa, also known as T-baton) is a melee weapon with its origins in the armed component of Okinawan martial arts where it is known as the tunkua. It consists of a stick with a perpendicular handle attached a third of the way down the length of the stick, and is about 15–20 inches (380–510 mm) long. It was traditionally made from red or white oak, and wielded in pairs. The tonfa is believed to have originated in either China, Okinawa or Southeast Asia, where it is used in the respective fighting styles. (Full article...)
  • Image 5 Statue of Jigoro Kano at the Kodokan institute. The rivalry between the Kodokan school of judo and the Totsuka school of Yoshin-ryu jujutsu happened in the 1880s during the Meiji Era in Japan. Consisting of several challenges and tournaments, its result saw the decline of the traditional jujutsu schools and the rise of judo as an institutionalized martial art. Although surrounded in controversy and legend because of inconsistent sources, it has been considered a vital part of the history of judo. (Full article...)
    Statue of Jigoro Kano at the Kodokan institute.

    The rivalry between the Kodokan school of judo and the Totsuka school of Yoshin-ryu jujutsu happened in the 1880s during the Meiji Era in Japan. Consisting of several challenges and tournaments, its result saw the decline of the traditional jujutsu schools and the rise of judo as an institutionalized martial art. Although surrounded in controversy and legend because of inconsistent sources, it has been considered a vital part of the history of judo. (Full article...)
  • Image 6 Rhee Taekwon-Do (Korean: 리태권도; Hanja: 李跆拳道), also known as Rhee Tae Kwon-Do, Rhee Tae Kwon Do, or Rhee Taekwondo,[a] is a martial art school in Australia[b] teaching the Korean martial art of taekwondo. Its full name is "Rhee International Taekwon-Do (Australia)". Chong Chul Rhee, one of the original masters of taekwondo, founded the school in the mid-1960s. Two of Rhee's brothers, Chong Hyup Rhee and Chong Yoon Rhee, later came to assist him in the 1970s. C. C. Rhee claims the title 'Father of Australian Taekwondo' and Rhee Taekwon-Do is widely publicised as being Australia's first and biggest taekwondo school. It has at least 294 publicly listed dojang (training halls) in Australia, with perhaps around 1,400 dojang in total at its peak. Several Australian martial art school founders received their foundational taekwondo training in Rhee's school. (Full article...)
    Rhee Taekwon-Do (Korean: 리태권도; Hanja: 李跆拳道), also known as Rhee Tae Kwon-Do, Rhee Tae Kwon Do, or Rhee Taekwondo,[a] is a martial art school in Australia[b] teaching the Korean martial art of taekwondo. Its full name is "Rhee International Taekwon-Do (Australia)". Chong Chul Rhee, one of the original masters of taekwondo, founded the school in the mid-1960s. Two of Rhee's brothers, Chong Hyup Rhee and Chong Yoon Rhee, later came to assist him in the 1970s.

    C. C. Rhee claims the title 'Father of Australian Taekwondo' and Rhee Taekwon-Do is widely publicised as being Australia's first and biggest taekwondo school. It has at least 294 publicly listed dojang (training halls) in Australia, with perhaps around 1,400 dojang in total at its peak. Several Australian martial art school founders received their foundational taekwondo training in Rhee's school. (Full article...)
  • Image 7 Part of the Zliten mosaic from Libya (Leptis Magna), about 2nd century AD. It shows (left to right) a thraex fighting a murmillo, a hoplomachus standing with another murmillo (who is signaling his defeat to the referee), and one of a matched pair. A gladiator (Latin: gladiator, "swordsman", from gladius, "sword") was an armed combatant who entertained audiences in the Roman Republic and Roman Empire in violent confrontations with other gladiators, wild animals, and condemned criminals. Some gladiators were volunteers who risked their lives and their legal and social standing by appearing in the arena. Most were despised as slaves, schooled under harsh conditions, socially marginalized, and segregated even in death. Irrespective of their origin, gladiators offered spectators an example of Rome's martial ethics and, in fighting or dying well, they could inspire admiration and popular acclaim. They were celebrated in high and low art, and their value as entertainers was commemorated in precious and commonplace objects throughout the Roman world. (Full article...)
    Part of the Zliten mosaic from Libya (Leptis Magna), about 2nd century AD. It shows (left to right) a thraex fighting a murmillo, a hoplomachus standing with another murmillo (who is signaling his defeat to the referee), and one of a matched pair.



    A gladiator (Latin: gladiator, "swordsman", from gladius, "sword") was an armed combatant who entertained audiences in the Roman Republic and Roman Empire in violent confrontations with other gladiators, wild animals, and condemned criminals. Some gladiators were volunteers who risked their lives and their legal and social standing by appearing in the arena. Most were despised as slaves, schooled under harsh conditions, socially marginalized, and segregated even in death.

    Irrespective of their origin, gladiators offered spectators an example of Rome's martial ethics and, in fighting or dying well, they could inspire admiration and popular acclaim. They were celebrated in high and low art, and their value as entertainers was commemorated in precious and commonplace objects throughout the Roman world. (Full article...)
  • Image 8 Drawing of the archetypical ninja from a series of sketches by Hokusai. Woodblock print on paper. Vol. six, 1817. A ninja (Japanese: 忍者, lit. 'one who is invisible'; [ɲiꜜɲdʑa]) or shinobi (Japanese: 忍び, lit. 'one who sneaks'; [ɕinobi]) was an infiltration agent, mercenary, or guerrilla warfare and later bodyguard expert in feudal Japan. They often employed in siege espionage missions, and Military deception,. They were often appeared in the historical records during the Sengoku period, antecedents may have existed as early as the 12th century. During the Japan's warring state period, jizamurai clans of peasant-warriors in Iga Province and the adjacent Kōka District formed ikki – "revolts" or "leagues" – as a means of self-defense. (Full article...)
    Drawing of the archetypical ninja from a series of sketches by Hokusai. Woodblock print on paper. Vol. six, 1817.


    A ninja (Japanese: 忍者, lit. 'one who is invisible'; [ɲiꜜɲdʑa]) or shinobi (Japanese: 忍び, lit. 'one who sneaks'; [ɕinobi]) was an infiltration agent, mercenary, or guerrilla warfare and later bodyguard expert in feudal Japan. They often employed in siege espionage missions, and Military deception,. They were often appeared in the historical records during the Sengoku period, antecedents may have existed as early as the 12th century.

    During the Japan's warring state period, jizamurai clans of peasant-warriors in Iga Province and the adjacent Kōka District formed ikki – "revolts" or "leagues" – as a means of self-defense. (Full article...)
  • Image 9 Indian martial arts refers to the fighting systems of the Indian subcontinent. A variety of terms are used for the English phrases "Indian martial arts", deriving from ancient sources. While they may seem to imply specific disciplines (e.g. archery, armed combat), by Classical times they were used generically for all fighting systems. Among the most common terms today, śastra-vidyā, is a compound of the words śastra (weapon) and vidyā (knowledge). Dhanurveda derives from the words for bow (dhanushya) and knowledge (veda), the "science of archery" in Puranic literature, later applied to martial arts in general. The Vishnu Purana text describes dhanuveda as one of the traditional eighteen branches of "applied knowledge" or upaveda, along with shastrashāstra or military science. A later term, yuddha kalā, comes from the words yuddha meaning fight or combat and kalā meaning art or skill. The related term śastra kalā (lit. weapon art) usually refers specifically to armed disciplines. Another term, yuddha-vidyā or "combat knowledge", refers to the skills used on the battlefield, encompassing not only actual fighting but also battle formations and strategy. Martial arts are usually learnt and practiced in the traditional akharas. (Full article...)
    Indian martial arts refers to the fighting systems of the Indian subcontinent. A variety of terms are used for the English phrases "Indian martial arts", deriving from ancient sources. While they may seem to imply specific disciplines (e.g. archery, armed combat), by Classical times they were used generically for all fighting systems.

    Among the most common terms today, śastra-vidyā, is a compound of the words śastra (weapon) and vidyā (knowledge). Dhanurveda derives from the words for bow (dhanushya) and knowledge (veda), the "science of archery" in Puranic literature, later applied to martial arts in general. The Vishnu Purana text describes dhanuveda as one of the traditional eighteen branches of "applied knowledge" or upaveda, along with shastrashāstra or military science. A later term, yuddha kalā, comes from the words yuddha meaning fight or combat and kalā meaning art or skill. The related term śastra kalā (lit. weapon art) usually refers specifically to armed disciplines. Another term, yuddha-vidyā or "combat knowledge", refers to the skills used on the battlefield, encompassing not only actual fighting but also battle formations and strategy. Martial arts are usually learnt and practiced in the traditional akharas. (Full article...)
  • Image 10 Late 19th-century photograph of a sohei fully robed and equipped, armed with a naginata (薙刀) and tachi (太刀) Japanese martial arts refers to the variety of martial arts native to the country of Japan. At least three Japanese terms (budō, bujutsu, and bugei) are used interchangeably with the English phrase Japanese martial arts. The usage of the term budō (武道) to mean martial arts is a modern one: historically the term meant a way of life encompassing physical, spiritual and moral dimensions with a focus on self-improvement, fulfillment or personal growth. The terms bujutsu (武術) and bugei (武芸) have different meanings from budō, at least historically speaking. Bujutsu refers specifically to the practical application of martial tactics and techniques in actual combat. Bugei refers to the adaptation or refinement of those tactics and techniques to facilitate systematic instruction and dissemination within a formal learning environment. (Full article...)
    Late 19th-century photograph of a sohei fully robed and equipped, armed with a naginata (薙刀) and tachi (太刀)


    Japanese martial arts refers to the variety of martial arts native to the country of Japan. At least three Japanese terms (budō, bujutsu, and bugei) are used interchangeably with the English phrase Japanese martial arts.

    The usage of the term budō (武道) to mean martial arts is a modern one: historically the term meant a way of life encompassing physical, spiritual and moral dimensions with a focus on self-improvement, fulfillment or personal growth. The terms bujutsu (武術) and bugei (武芸) have different meanings from budō, at least historically speaking. Bujutsu refers specifically to the practical application of martial tactics and techniques in actual combat. Bugei refers to the adaptation or refinement of those tactics and techniques to facilitate systematic instruction and dissemination within a formal learning environment. (Full article...)
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Jigoro Kano circa 1937
Kanō Jigorō (嘉納 治五郎, 10 December 1860 – 4 May 1938) was a Japanese educator, athlete, and the founder of judo. Along with ju-jutsu, judo was one of the first Japanese martial arts to gain widespread international recognition, and the first to become an official Olympic sport. Pedagogical innovations attributed to Kanō include the use of black and white belts, and the introduction of dan ranking to show the relative ranking among members of a martial art style. Well-known mottoes attributed to Kanō include "maximum efficiency minimal effort" (精力善用, seiryoku zen'yō) and "mutual welfare and benefit" (自他共栄, jita kyōei).

In his professional life, Kanō was an educator. Important postings included serving as director of primary education for the Ministry of Education (文部省, Monbushō) from 1898 to 1901, and as president of Tokyo Higher Normal School from 1900 until 1920. He was the educational founder of Nada High School in Kobe, Japan. He played a key role in making judo and kendo part of the Japanese public school programs of the 1910s. (Full article...)


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The King of Fighters '94 (KOF '94) is a fighting game released by SNK for the Neo Geo MVS arcade system in 1994, as the first in The King of Fighters series. The game was also released for the Neo Geo home console systems, including the Neo Geo AES and Neo Geo CD. In 2008, KOF '94 was one of sixteen games included in SNK Arcade Classics Vol. 1 for the PlayStation 2, PlayStation Portable and Wii.

KOF '94 is a crossover featuring characters from SNK's fighting game properties Fatal Fury and Art of Fighting. It also includes revised versions of characters from their pre-Neo Geo games Ikari Warriors and Psycho Soldier, as well as original characters created specifically for the game. The plot features the creation of a new King of Fighters tournament created by the criminal Rugal Bernstein and is the only game to take place during the pre-Orochi Saga of the series.

SNK developed KOF '94 with the initial idea of using several games from the company in order to attract gamers who played these games. The characters' designs, as well as its innovative gameplay system based on using teams of three members, were both well received. The success of the game allowed SNK to produce a series of sequels in The King of Fighters series and the series itself eventually became the flagship series of SNK.

In 2004, to commemorate the tenth anniversary of the series, SNK released a remake titled The King of Fighters '94 Re-Bout. It features the original game and a new version with higher resolution graphics and 3D environments.


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Credit: Pierre-Yves Beaudouin

Senegalese wrestling (Njom in Serer, Lutte sénégalaise or simply Lutte avec frappe in French, Laamb in Wolof, Siɲɛta in Bambara) is a type of folk wrestling traditionally performed by the Serer people and now a national sport in Senegal and parts of The Gambia, and is part of a larger West African form of traditional wrestling (fr. Lutte Traditionnelle). The Senegalese form traditionally allows blows with the hands (frappe), the only one of the West African traditions to do so. As a larger confederation and championship around Lutte Traditionnelle has developed since the 1990s, Senegalese fighters now practice both forms, called officially Lutte Traditionnelle sans frappe (for the international version) and Lutte Traditionnelle avec frappe for the striking version. (Full article...)


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Martial arts, for me, is not just some kind of job to gain some money or whatever. No, martial arts, for me, is my lifestyle, my religion, my philosophy... Martial arts are everything for me.


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