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Puranas (/pʊˈrɑːnə/; Sanskrit: पुराण, romanized: purāṇa, lit. 'ancient, old',[1] IPA: [pʊˈrɑːɳə]) are a vast genre of Hindu literature about a wide range of topics, particularly about legends and other traditional lore.[2] The Puranas are known for the intricate layers of symbolism depicted within their stories. Composed originally in Sanskrit[3] and in other Indian languages,[4][5] several of these texts are named after major Hindu gods such as Vishnu, Shiva, Brahma, and Mahadevi.[6][7] The Puranic genre of literature is found in both Hinduism and Jainism.[5]
The Puranic literature is encyclopedic,[1] and it includes diverse topics such as cosmogony, cosmology, genealogies of gods, goddesses, kings, heroes, sages, and demigods, folk tales, pilgrimages, temples, medicine, astronomy, grammar, mineralogy, humor, love stories, as well as theology and philosophy.[2][4][6] Within Hindu tradition, the knowledge contained within the Maha Puranas are believed to have originated from divine revelation, spoken by the four mouths of Brahma, passed on and eventually edited and compiled by "Ved Vyasa";[8] historical authorship of surviving manuscripts of the Hindu Puranas remains unknown. In contrast, most Jaina Puranas can be dated and their authors assigned.[5]
There are 18 Mukhya Puranas (Major Puranas) and 18 Upa Puranas (Minor Puranas),[9] with over 400,000 verses.[2] The first versions of various Purana manuscripts were likely to have been written between 3rd and 10th century CE.[10] The Puranas are not strictly a divinely revealed scripture (Sruti) in Hinduism,[9] but are considered to be Smritis,[11]. Even so, they have arguably shaped Hinduism more than the Vedas, providing a "culture synthesis" in weaving and integrating the diverse beliefs of a great number of local traditions into the Vedic-Brahmanic fold.[12] While all Puranas praise many gods and goddesses and "their sectarianism is far less clear cut" than assumed,[13] the religious practices included in them are considered Vaidika (congruent with Vedic literature).[14] The Puranic literature wove with the Bhakti movement in India, and both Dvaita and Advaita scholars have commented on the underlying Vedantic themes in the Maha Puranas.[15]
Often, different Puranas present varying versions of the same stories, which led early Western observers, such as Christian missionary Abbé Dubois, to criticize them as inconsistent. Modern scholars, including Friedhelm Hardy, theorize that these variations reflect the nature of the Puranas as adaptive texts that evolved to meet the needs of the audience within changing historical contexts.[5] Velcheru Narayana Rao describes the Puranas as "functionally open" texts, with variations often arising from their roots in oral tradition.[8] In keeping with the oral tradition, the Puranas are indeed framed as a story within a story embedded into dialogue between listener(s) and a narrator.[8] The Puranas are transparent about their secondary nature, with narrators often prefacing that the accounts they present are retellings of earlier narrations by sages. Rao cites an aphorism from the Mahabharata that captures this narrative fluidity:
Thus, as with the Puranas, the itihas and smritis of Hinduism are known to contain variations and sometimes conflicting accounts, in which case, they shift authority from the texts unto "the great men" — the commentators and interpreters who understand their deeper meaning.[8]
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