Claims that television programs are of higher quality include a number of subjective evaluations and value judgements. For example, Robert J. Thompson's claim that "quality television" programs include "...a quality pedigree, a large ensemble cast, a series memory, creation of a new genre through recombination of older ones, self-consciousness, and pronounced tendencies toward the controversial and the realistic"[10] includes a number of subjective evaluations. The criteria for "quality television" set out by the US group Viewers for Quality Television ("A quality show is something we anticipate...[it] focuses more on relationships...[and] explores character, it enlightens, challenges, involves and confronts the viewer; it provokes thought...") also require a number of subjective evaluations.
Television programs on another end of the spectrum from quality television are sometimes called B-television or blue collar television.[11]
^John Thornton Caldwell, Televisuality: Style, Crisis, and Authority in American Television, Rutgers University Press, 1995, p. 67.
^A TV Guide article entitled "Girls Power: WB Drama to Return" states "Score one for fans of quality television: The WB is on the verge of renewing its acclaimed freshman drama Gilmore Girls for a second season."
^Viewers For Quality Television in the US, the Campaign for Quality Television Ltd. in the UK, and the Alliance for Children and Television (ACT) in Canada
^Government-funded public television networks such as the BBC produce "educational programming...[,]high quality documentaries and cinephile films" as a way "... to educate and 'uplift' the general population... Course description: Visual Art and Television (Open UvA college). Describes the complex relationships that art and television have maintained since the mid 20th century up to the present. (Art on TV; TV in Art; and TV as Art).
^Casetti, Francesco; Fanchi, Mariagrazia (17 August 2017). "Cinephilia/Telephilia". Framework: The Journal of Cinema and Media. 45 (2): 38–41. JSTOR41552408.
^Thompson, Robert J. Television's Second Golden Age: From Hill Street Blues to ER: Hill Street Blues, Thirtysomething, St. Elsewhere, China Beach, Cagney & Lacey, Twin Peaks, Moonlighting, Northern Exposure, LA Law, Picket Fences, with Brief Reflections on Homicide, NYPD Blue & Chicago Hope, and Other Quality Dramas. Syracuse University Press, 1997. pp. 13–16.