Restoration spectacular

This naval battle was one of the sets for Elkanah Settle's The Empress of Morocco (1673) at the theatre in Dorset Garden.

The Restoration spectacular was a type of theatre production of the late 17th-century Restoration period, defined by the amount of money, time, sets, and performers it required to be produced. Productions attracted audiences with elaborate action, acrobatics, dance, costume, scenery, illusionistic painting, trapdoors, and fireworks. Although they were popular with contemporary audiences, spectaculars have earned a reputation from theatre historians as vulgar in contrast to the witty Restoration drama.[citation needed]

The spectacular has roots in early 17th-century court masque, though it borrowed ideas and technology from French opera. Sometimes called "English opera", spectaculars were so varied as to give reluctance to theatre historians to define them as a genre.[1] Spectaculars became increasingly expensive for their theatre companies; a flop could leave a company deeply in debt, while a success could leave a sizeable profit.[citation needed]

  1. ^ Hume, 205