Richard Misrach | |
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Born | 1949 (age 74–75) Los Angeles, California, U.S. |
Nationality | American |
Known for | Photography |
Notable work | Desert Cantos, On the Beach |
Style | Large format color |
Richard Misrach (born 1949) is an American photographer.[1] He has photographed the deserts of the American West, and pursued projects that document the changes in the natural environment that have been wrought by various man-made factors such as urban sprawl, tourism, industrialization, floods, fires, petrochemical manufacturing, and the testing of explosives and nuclear weapons by the military.[2] Curator Anne Wilkes Tucker writes that Misrach's practice has been "driven [by] issues of aesthetics, politics, ecology, and sociology."[2] In a 2011 interview, Misrach noted: "My career, in a way, has been about navigating these two extremes - the political and the aesthetic."[3]
Describing his philosophy, Tracey Taylor of The New York Times writes that "[Misrach's] images are for the historical record, not reportage."[4] David Littlejohn of The Wall Street Journal called Misrach "the most interesting and original photographer of his generation." Littlejohn noted Misrach's work in a large scale, color format that defied the prior expectations of fine art photography.[5]