Right Here Right Now | ||||
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Released | August 21, 2015 | |||
Recorded | January 2014 – June 2015 | |||
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Length | 52:07 | |||
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Jordin Sparks chronology | ||||
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Singles from Right Here Right Now | ||||
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Right Here Right Now is the third studio album by American singer Jordin Sparks. It was released on August 21, 2015, through Louder Than Life/Red Associated Labels (RAL), an imprint of Sony Music Entertainment, and 19 Recordings. Following the dissolution of her original label Jive Records in 2011, Sparks was signed to RCA Records, but after years of failed negotiations to release new material under their label, she was released from her contract in 2014 and signed with Louder Than Life/Red Associated Labels. Sparks first confirmed the announcement of the album's release in November 2014, following the release of her mixtape #ByeFelicia. Right Here Right Now marks her first studio album in over six years, since Battlefield (2009).
Sparks described Right Here Right Now as "pretty music with a bump to it", being largely influenced by 1990s R&B. The final edition of the album features a fourteen-track standard edition which was serviced to all domestic and international markets. Contributions to the album's production came from Salaam Remi, Kenneth "Babyface" Edmonds, The Underdogs, Jonas Jeberg and Dem Jointz. "Double Tap", a collaboration with rapper 2 Chainz, was released as the lead single from Right Here Right Now in March 2015, peaking at number 25 on the Billboard Rhythmic Top 40 chart in the United States. The title track was released as the second single in July, followed by "They Don't Give" as the third and final single in September. "It Ain't You" and "They Don't Give" served as promotional singles preceding the album's release.
Right Here Right Now received generally positive reviews from music critics, many of whom commended the production as well as Sparks' musical direction, believing it to be more authentic than her previous releases. While the album was a critical success, it underperformed commercially on the Billboard 200 chart in the United States, peaking only at number 161. It did, however, reach number 11 on the Billboard R&B/Hip Hop Albums chart.