Robert Rauschenberg | |
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Born | Milton Ernest Rauschenberg October 22, 1925 Port Arthur, Texas, U.S. |
Died | May 12, 2008 Captiva, Florida, U.S. | (aged 82)
Education | Kansas City Art Institute Académie Julian Black Mountain College Art Students League of New York |
Known for | Assemblage |
Notable work | Canyon (1959) Monogram (1959) |
Movement | Neo-Dada, Abstract expressionism, Pop art |
Spouse | |
Awards | Leonardo da Vinci World Award of Arts (1995) Praemium Imperiale (1998) |
Milton Ernest "Robert" Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the Pop art movement. Rauschenberg is well known for his Combines (1954–1964), a group of artworks which incorporated everyday objects as art materials and which blurred the distinctions between painting and sculpture. Rauschenberg was primarily a painter and a sculptor, but he also worked with photography, printmaking, papermaking and performance.[1][2]
Rauschenberg received numerous awards during his nearly 60-year artistic career. Among the most prominent were the International Grand Prize in Painting at the 32nd Venice Biennale in 1964 and the National Medal of Arts in 1993.[3]
Rauschenberg lived and worked in New York City and on Captiva Island, Florida, until his death on May 12, 2008.[4]