Robert Stackhouse | |
|---|---|
| Born | Robert Stackhouse 1942 |
| Nationality | American |
| Alma mater | University of South Florida, University of Maryland, College Park |
| Known for | Sculpture |
| Notable work | Confluence |
| Movement | Feminist art movement |
| Spouse | Carol Mickett[1] |
| Website | mickettstackhouse |
Robert Stackhouse (born 1942 in Bronxville, New York, United States) is an American artist and sculptor.[2][3]
Stackhouse graduated with a bachelor's degree from the University of South Florida in 1965. He later earned a master's degree at the University of Maryland, College Park in studio art. USF's Contemporary Art Museum contains an archive of his work, with copies of all of his prints over the course of his career.
A-frames are a frequent theme in the artist's paintings and sculpture.[4] Ruby's Heart, in the collection of the Honolulu Museum of Art, is an example of this recurring minimalist subject. Stackhouse's work has been featured in one-man exhibitions in museums such as the Corcoran Gallery of Art in Washington, D.C., and his work has been compared to that of Harriet Feigenbaum.[5]
The artist Mary Beth Edelson lived with Stackhouse for 27 years.[6]
- ^ Bennett, Lennie. "Review: Robert Stackhouse, Carol Mickett show depth in blue-hued art show at UT". Visual Arts. Tampa Bay Times. Archived from the original on March 9, 2014. Retrieved 8 March 2014.
- ^ Malewski, Nick (27 November 2008). "Robert Stackhouse's artworks give vision and revision to repeating iconic images". The Kansas City Star. Retrieved 12 October 2013.
- ^ "Art; At the Corcoran, A Four-Star Show". Pqasb.pqarchiver.com. 1988-10-18. Archived from the original on November 4, 2012. Retrieved 2012-07-24.
- ^ http://www.graphicstudio.usf.edu/GS/artists/stackhouse_robert/stackhouse.html Institute for Research in Art at the University of South Florida, Tampa
- ^ Hatton, E. M.; Hatton, Hap (1979-10-16). The tent book. Houghton Mifflin. p. 146. ISBN 9780395276136.
- ^ Joan M. Marter. The Grove Encyclopedia of American Art. Oxford University Press; 2011. ISBN 978-0-19-533579-8. p. 136–137.