Roland Juno-60

Roland Juno-60
The Roland Juno-60: a keyboard instrument with a row of faders above it.
Roland Juno-60
ManufacturerRoland
Dates1982–1984
PriceUS$1,795[1]
UK£1,199
JP¥238,000
Technical specifications
Polyphony6 voices
TimbralityMonotimbral
Oscillator1 DCO per voice
(pulse, saw, square)
LFOtriangle
Synthesis typeAnalog Subtractive
FilterAnalog 24dB/oct resonant
low-pass, non-resonant high-pass
Attenuator1 ADSR envelope generator
Aftertouch expressionNo
Velocity expressionNo
Storage memory56 patches
EffectsChorus
Input/output
Keyboard61 keys
External controlDCB

The Roland Juno-60 is an analog synthesizer manufactured by the Roland Corporation between 1982 and 1984. It followed the Juno-6, an almost identical synthesizer released months earlier. The Juno synthesizers introduced Roland's digitally controlled oscillators, allowing for greatly improved tuning stability over its competitors.

The Juno-6 and Juno-60 were introduced as low-cost alternatives to polyphonic synths such as the Sequential Circuits Prophet-5 and Roland's own Jupiter-8. Its built-in chorus effect was designed to make up for the weaker sound of its single oscillator, and it went on to become its signature effect. The Juno-60 had an immediate impact in 1980s pop music, being used on hits such as "Take On Me" by a-ha, "A Different Corner" by George Michael, and "Time After Time" by Cyndi Lauper.

The Juno-60 continued to be popular in the 1990s, being used by house and techno artists. It experienced a resurgence in the 2000s and beyond, gaining popularity amongst modern pop, indie and synthwave artists. It has inspired numerous software emulations.

  1. ^ Future Music (2021-10-28). "Vintage music tech icons: Roland Juno-60". MusicRadar. Retrieved 2022-10-06.