| "SLAPP Suits" | |
|---|---|
| Last Week Tonight with John Oliver segment | |
 John Oliver performing his musical number "Eat Shit, Bob!" at the end of the segment | |
| Episode no. | Season 6 Episode 29 (segment) |
| Directed by |
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| Written by |
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| Presented by | John Oliver |
| Original air date | November 10, 2019 |
| Running time | 26 minutes |
| Guest appearances | |
"SLAPP Suits" is a segment of HBO's news-satire television series Last Week Tonight with John Oliver, focusing on strategic lawsuits against public participation (SLAPP). It first aired on November 10, 2019, as part of the twenty-ninth episode of the series's sixth season. The episode marked British-American comedian and host John Oliver's response to winning a SLAPP defamation lawsuit against him initiated by American mining businessman Robert E. Murray. The lawsuit began in 2017, after Oliver heavily criticized Murray and his company, Murray Energy, in a segment concerning the coal-mining industry in the United States. Murray claimed in his lawsuit that Oliver had carried out a character assassination against him, but the case was dismissed in under a year, and an appeal by Murray Energy was unsuccessful. During the lawsuit, the American Civil Liberties Union filed an amicus brief that was widely covered due to its sarcastic humor.
In "SLAPP Suits", Oliver discussed the outcome of the lawsuit and the damaging effects of similar lawsuits, giving an overview of Murray's other SLAPPs and their potential harm to independent journalism. Oliver ended the twenty-six-minute segment with the musical number "Eat Shit, Bob!" in celebration of winning the lawsuit, invoking his right under the First Amendment to the United States Constitution to make negative jokes and comments about people and corporations. The title of the number references a check returned by a Murray Energy miner on the grounds that it incentivized unsafe mining practices, with the words "Eat Shit Bob" written on the check. The segment and musical number were lauded by critics and nominated for six Primetime Emmy Awards, with the episode winning one award for Outstanding Technical Direction, Camerawork, Video Control for a Series, and the musical number winning another for Outstanding Picture Editing for Variety Programming.