Sakae Tamura (田村 榮, Tamura Sakae, September 17, 1906 – July 22, 1987) was a Japanese photographer, prominent in the years before the war.
Born in Ōtsu, Shiga Prefecture,[1] Tamura graduated from the Tokyo College of Photography (東京写真専門学校, Tōkyō Shashin Senmon Gakkō; now Tokyo Polytechnic University) and entered Oriental (オリエンタル写真工, Orientaru Shashin Kōgyō) in 1928 and became editor of Photo Times . He was an active contributor to the magazine Geijutsu Shashin Kenkyū and in Japan Photography Association (日本光画協会, Nihon Kōga Kyōkai), created in 1928 and a successor to the Japan Photographic Art Association (日本光画芸術協会, Nihon Kōga Geijutsu Kyōkai). He was a leading figure in the New Photography Research Society (新興写真研究会, Shinkō Shashin Kenkyūkai), formed in 1930.
Tamura's work was influenced both by pictorialism and by New Photography .
Tamura is particularly known for his portraits, and Shiroi hana (白い花, White flower, 1931) is the best-known of these and widely anthologized.[2] Okatsuka says that it expresses a certain lyricism but “displays a more sophisticated sense of maturity” than the works of his contemporaries Masataka Takayama and Jun Watanabe.[3]