It was his ultimate work at the archducal theatre in Mantua, where Vivaldi was maestro di cappella from 1718 until 1720. The production started the young castrato Mariano Nicolini in the role of Oronte as well as the famous "prima donna" Anna Girò in the role of Semiramide, with Maria Maddalena Pieri, famous for her breeches roles, as Nino.[2][3] It was first performed on 26 December 1731[4] for the 1732 carnival season.[5][6] Only the libretto and individual arias have survived.[7]
^"Semiramide". klassica.info. Klassika. Retrieved 16 February 2020.
^Frassoni, Edilio (1980). "Imperatrice di molte favelle". In Ufficio Stampa dell'E.A. (ed.). L'Opera di Genova. Stagione Lirica 1980–81. Teatro Margherita (in Italian). E.A. Teatro Comunale dell'Opera di Genova. p. 101: "Il lungo cammino di Semiramide nel melodramma". Professor Frassoni lists 77 settings of the story of Semiramis, from Antonio Cesti’s La Semirami (Vienna, 1662), to Costantino Dall’Argine’s ballet La Semiramide del Nord (Milan, La Scala, 1869). To be precise, the list also contains 5 pasticcios. 3 ballets and 6 works by unknown authors, but does not include subsequent revisions and rewrites by the same composer. It does not claim to be exhaustive: for instance, just referring to the 20th century, Ottorino Respighi’s tragic poem Semirâma (Bologna, 1910) and Arthur Honegger’s ballet-melodrama Sémiramis (Paris, 1934), are not included.