Seyir

Seyir, in Turkish makam theory, is a pattern of movement of notes in a certain order (route) within a makam.[1][2][3]

The three types of Seyir are:[4]

  • Ascending (çıkıcı): starts at the initial Durak note and continues to the final Tiz Durak.
  • Descending (inici): starts at the final Tiz Durak note and continues to the initial Durak.
  • Descending-ascending (inici-çıkıcı): starts at the middle Güçlü note and continues to the Durak and back to the Tiz Durak.
  1. ^ "MAKAM". TDV İslâm Ansiklopedisi (in Turkish). Retrieved 2024-10-15.
  2. ^ "Türk Sanat Müziğinde Makam Olgusu | Prof. Dr. Hazım GÖKÇEN" (in Turkish). Retrieved 2024-10-16.
  3. ^ KAÇAR, Dr. Gülçin YAHYA (2008). "TÜRK MÛSİKÎSİNDE MAKAM". DergiPark (11): 153.
  4. ^ "Türk Sanat Müziğinde Makam Olgusu | Prof. Dr. Hazım GÖKÇEN" (in Turkish). Retrieved 2024-10-15.