Stanley Morison | |
---|---|
Born | Wanstead, Essex, England | 6 May 1889
Died | 11 October 1967 London, England | (aged 78)
Occupation(s) | Typographer, printer, historian |
Notable work | Times New Roman |
Stanley Arthur Morison[1] (6 May 1889 – 11 October 1967) was a British typographer, printing executive and historian of printing.[2][3][4] Largely self-educated, he promoted higher standards in printing and an awareness of the best printing and typefaces of the past.[5][6][7]
From the 1920s Morison became an influential adviser to the British Monotype Corporation, advising them on type design. His strong aesthetic sense was a force within the company, which starting shortly before his joining became increasingly known for commissioning popular, historically influenced designs that revived some of the best typefaces of the past, with particular attention to the middle period of printing from the Renaissance to the late eighteenth century, and creating and licensing several new type designs that would become popular.[8][9][10][11] Original typefaces commissioned under Morison's involvement included Times New Roman, Gill Sans and Perpetua, while revivals of older designs included Bembo, Ehrhardt and Bell.[12] Times New Roman, the development of which Morison led to the point that he felt he could consider it his own design, has become one of the most used typefaces of all time. Becoming closely connected to The Times newspaper as an advisor on printing, he became part of its management and the editor of the Times Literary Supplement after the war, and late in life joined the editorial board of Encyclopædia Britannica.[13]
During the 20th century two typographic historians have achieved notable stature and will be long remembered. The first of these, Daniel Berkeley Updike of Boston, died in 1940. The second, Stanley Morison, died at his home in London on October 11, 1967. He was 78 years of age... During the 1920s when there was slight interest in the production of new "book" types, the Monotype firm—with Morison's guidance—embarked upon a program of classic type revivals which resulted in the cutting of such faces as Garamond, Bembo, Poliphilus, Baskerville, Bell, and Fournier. These types remain in demand and are among the best of the historic revivals.