Steve Paxton | |
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Born | Phoenix, Arizona, U.S. | January 21, 1939
Died | February 20, 2024 East Charleston, Vermont, U.S. | (aged 85)
Known for | choreography, dance improvisation, contact improvisation |
Notable work | Proxy (1961), Satisfyin' Lover (1969), PA RT (1978), Bound (1981), Goldberg Variations (1986), Night Stand (2004) |
Style | Contact Improvisation (founder), Material for the Spine (founder) |
Movement | Judson Dance Theater, Postmodern dance |
Awards | NEA Grant (1980), Guggenheim Fellowshing (1995), Venise Biennale Golden Lion (2004), Bessie for Lifetime Achievement (2015) |
Steven Douglas Paxton (January 21, 1939 – February 20, 2024) was an American experimental dancer and choreographer. His early background was in gymnastics while his later training included three years with Merce Cunningham and a year with José Limón. As a founding member of the Judson Dance Theater,[1] he performed works by Yvonne Rainer and Trisha Brown. He was a founding member of the experimental group Grand Union and in 1972 named and began to develop the dance form known as Contact Improvisation,[2] a form of dance that utilizes the physical laws of friction, momentum, gravity, and inertia to explore the relationship between dancers.
Paxton believed that even an untrained dancer could contribute to the dance form, and so began his great interest in pedestrian movement. After working with Cunningham, he attempted to remain reclusive, except when performing, teaching, and choreographing internationally.