Suhaag Raat | |
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Directed by | Kidar Sharma |
Written by |
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Screenplay by | Kidar Sharma |
Story by | Kidar Sharma |
Produced by |
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Starring | |
Cinematography |
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Edited by | S. S. Chawande |
Music by | Snehal Bhatkar |
Production company | Oriental Pictures |
Distributed by | Varma Films |
Release date |
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Country | India |
Language | Hindi |
Suhaag Raat ((Hindi for "Wedding Night) also called Sohag Raat, is a 1948 Hindi film of Indian cinema directed by Kidar Sharma.[1] A romantic drama, it was the third film produced by Oriental Pictures[2] and the first film to be distributed by the newly-founded company Varma Films.[3] The story was a joint effort by F. A. Mirza and V. Sharma, while the screenplay, dialogue and lyrics were written by Kidar Sharma. The music was composed by Snehal Bhatkar, with cinematography by D. K. Ambre and D. C. Mehta. Geeta Bali made her debut in a lead feature film role with this movie,[4] which co-starred Bharat Bhushan and Begum Para.[5] The rest of the cast included Pesi Patel, Nazir Kashmiri, S. Nazir, Nazira and Shanta Kumar.
The story was set in a village in Kullu, Himachal Pradesh. Though Kullu was used as a backdrop, most of the shooting actually took place in Bombay. The costumes worn by the film's character were representative of the hilly people of Himachal Pradesh and justified the setting. The outdoor photography by D. K. Ambre and D. C. Mehta was praised for its "picturesque" composition. The story was a romantic triangle, with two girls, one rich and the other poor, falling in love with the same man. Geeta Bali as Kammo, the poor village girl, and Begum Para as Paro, the rich landlord's daughter, portray the two girls. Bharat Bhushan as Beli, who has been saved by Kammo's father, Jaggu (Pesi Patel), plays the love interest. The arrival of the villain Rahu, Beli's step-brother, and its consequences form the rest of the story.[6]
Sohag Raat was released at Excelsior and Lamington Cinemas, in Bombay on 25 June 1948,[6] and was the seventh highest grossing Indian film of 1948.[7] The film's success was attributed to the "refreshing" debutante Geeta Bali, with Baburao Patel titling his review of the film in the August 1948 issue of Filmindia, as "Geeta Bali's Sohag Raat".[6]
Rajadhyaksha
was invoked but never defined (see the help page).