Survival Research Laboratories (SRL) is an American performance art group that pioneered the genre of large-scale machine performance.[1][2][3] Founded in 1978 by Mark Pauline in San Francisco, the group is known in particular for their performances where custom-built machines, often robotic, compete to destroy each other.[4][5] The performances, described by one critic as "noisy, violent and destructive",[6] are noted for the visual and aural cacophony created by the often dangerous interactions of the machinery.[7][8] SRL's work is also related to process art and generative art. [9]
- ^ "LA – The Art of Extreme Robotics". rhizome.org. February 24, 2002. Archived from the original on 2007-07-06.
- ^ V. Vale (ed), "Industrial Culture Handbook", Re/Search Publications, 1983
- ^ Mark Pauline NNDB.
- ^ Hertz, Garnet (30 May 2023). Art + DIY Electronics. MIT Press. ISBN 9780262044936.
- ^ Alexander Reed, S. (11 July 2013). Assimilate: A Critical History of Industrial Music. Oxford University Press. ISBN 9780199832583.
- ^ Kostelanetz, Richard (November 15, 2018). A Dictionary of the Avant-Gardes. Routledge. ISBN 9781351267106 – via Google Books.
- ^ "Terrorism as art: Mark Pauline's dangerous machines". The Verge. October 9, 2012.
- ^ A day with Survival Research Labs News.com reporter risks life and ego at a post-industrial robot and fire art show. by Daniel Terdiman Aug. 14, 2006, cnet.
- ^ Gottlieb, Baruch (2010). "Los signos vitales del arte procesual" (in Spanish). Laboral Centro de Arte. Retrieved May 17, 2020.