This article needs additional citations for verification. (May 2021) |
"Take These Chains from My Heart" | ||||
---|---|---|---|---|
Single by Hank Williams With His Drifting Cowboys | ||||
A-side | "Ramblin' Man" | |||
Published | October 31, 1952Acuff-Rose Publications[1] | |||
Released | April 1953 | |||
Recorded | September 23, 1952 | |||
Studio | Castle Studio, Nashville | |||
Genre | Country & Western, Honky-tonk, Country blues | |||
Length | 2:35 | |||
Label | MGM 11479 | |||
Songwriter(s) | Hy Heath, Fred Rose | |||
Producer(s) | Fred Rose | |||
Hank Williams With His Drifting Cowboys singles chronology | ||||
|
"Take These Chains from My Heart" | ||||
---|---|---|---|---|
Single by Ray Charles | ||||
from the album Modern Sounds in Country and Western Music, Volume Two | ||||
B-side | "No Letter Today" | |||
Released | March 25, 1963 | |||
Recorded | 1963 | |||
Genre | Rhythm and blues | |||
Length | 2:51 | |||
Label | MGM | |||
Songwriter(s) | Hy Heath, Fred Rose | |||
Producer(s) | Sid Feller | |||
Ray Charles singles chronology | ||||
|
"Take These Chains from My Heart" | ||||
---|---|---|---|---|
Single by Lee Roy Parnell | ||||
from the album On the Road | ||||
B-side | "Straight Shooter" | |||
Released | May 21, 1994 | |||
Genre | Country | |||
Length | 3:22 | |||
Label | Arista Nashville | |||
Songwriter(s) | Hy Heath, Fred Rose | |||
Producer(s) | Scott Hendricks | |||
Lee Roy Parnell singles chronology | ||||
|
"Take These Chains from My Heart" is a song by Hank Williams. It was written by Fred Rose and Hy Heath and was recorded at Williams' final recording session on September 23, 1952, in Nashville. The song has been widely praised; Williams' biographer Colin Escott deems it "perhaps the best song [Rose] ever presented to Hank...It was one of the very few songs that sounded somewhat similar to a Hank Williams song."[2] Williams is backed by Tommy Jackson (fiddle), Don Helms (steel guitar), Chet Atkins (lead guitar), Jack Shook (rhythm guitar), and Floyd "Lightnin'" Chance (bass).[3] In the wake of Williams' death on New Year's Day, 1953, the song shot to No. 1, his final chart-topping hit for MGM Records. Like "Your Cheatin' Heart," the song's theme of despair, so vividly articulated by Williams' typically impassioned singing, reinforced the image of Hank as a tortured, mythic figure.