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My only suggestion is to repeat the full name of Herbert Beerbohm Tree (and possibly Arthur Bourchier) in the final paragraph of the "Early 20th century" subsection. ("Tree" caught me a little by surprise and I had to look back to remind myself!)
I have reviewed the following references and have found no issues: [5], [22], [23], [27], [32] [33], [36], [38], [44], [52], [53], [54] and [56].
Reference [1] (ODNB) does not appear to support "gained a thorough practical grounding" ("Early years" subsection) – the reference says "had a spell of training", which is a little weaker. I would suggest omitting this phrase.
Reference [1] (ODNB) does not appear to support "[The Tempter] was not popular and was soon taken off" (also not stated by [13]) ("First West End successes" subsection)
Thanks for noting this. I found this article in The Spectator. It questions the selection of those included, and, moreover, with respect to those who *are* included, "there are sometimes serious errors and omissions in ... entries, even though they are nearly all written by the subjects themselves. James Gulliver lied about having a degree from Harvard Business School. ... The entries for Nicholas Parsons, Susan Hampshire and Ken Dodd all knock four or five years off their age. [A spokesman for the publisher] insists they can only go by what people tell them. ‘We’ve got 32,000 people in the book.... It would be impossible for us to check every fact.’ If an error is pointed out to Who’s Who they will raise it with the biographee [but] what if Jeffrey Archer insisted that his entry was correct when it wrongly states that he became a member of the Greater London Council in 1966? ‘We would have to take him at his word' [said the spokesperson]. Lester Piggott, Gerald Ronson and Ernest Saunders don’t mention their time in prison." So, treating it like an SPS, we cite it twice: I think it is fine, the first time, for stating what high school she attended, but it would be better to have a different ref for the acting credits. -- Ssilvers (talk) 17:35, 25 September 2024 (UTC)[reply]
Reference [3] (Who Was Who) does not appear to say that Vanbrugh "created" the role of Catherine of Braganza. ("Inter-war years" subsection) (The ODNB also says that she "played" the role, but doesn't say that she "created" it.)
Reference [39] (The Times - 8 March 1916) does not appear to say that The Real Thing at Last was Vanbrugh's "first" movie. ("First World War" subsection)
According to IMDB it was her first, but we avoid IMDB, the BFI website has been upgraded from excellent to completely useless, and so I've left "first" to be inferred. Tim riley talk09:48, 25 September 2024 (UTC)[reply]
Reference [50] (The Times - 21 June 1938) – I cannot see a reference to Seymour Hicks.
I think that's everything – just a couple of minor queries on a few of the sources, but otherwise a very well-written and enjoyable article! Best wishes Mertbiol (talk) 18:13, 24 September 2024 (UTC)[reply]