Talk:Karen O'Rourke

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Bibliography (secondary sources)

• France Huser, "Ces images qu'on téléphone", Le Nouvel Observateur du 26 avril 1990.
• Jean-Louis Boissier; "Machines à communiquer faites oeuvres", in Lucien Sfez (dir.), La communication, Paris, P.U.F., 1991, p.229. Republished in Jean-Louis Boissier, La relation comme forme: l'interactivité en art, Musée d'art moderne et contemporain, 2004, p. 109.
• Eduardo Kac, "Aspects of the Aesthetics of Telecommunications", Visual Proceedings, ACM Siggraph'92 (John Grimes et Gray Lorig, dirs.) Chicago, 1992, pp. 47-57. French translation in A. Bureaud et N. Magnan, Connexions: art, réseaux, media, Paris ENSBA, 2002, pp.265-266.
• Frank Popper, Art of the Electronic Age, Londres, Thames and Hudson, 1992 (French translation l'Art à l'âge électronique, Paris, Hazan, 1993, 134-136).
• Gilbertto Prado, “ As Redes artistico-telematicas ”, Imagens, Campinas (Brésil), Unicamp, N°3, Dec., 1994, pp.41-44.
• Gilbertto Prado, Expériences artistiques d’échanges d’images dans les réseaux télématiques: la lig/u/ne imaginaire, thèse de doctorat, Université de Paris I, 1994.
• Pascal Joseph, entretien avec Christophe Le François, “ Art-Réseaux : les traces parisiennes ”, Technikart N°13, avril-mai 1994, Paris, Bruxelles, Genève.
• Christophe Le François, « De l'œuvre à l'objet-document : l'influence américaine », communication ; « Les États-Unis entre science et fiction », Congrès de l’Association Française d’Études Américaines, Université de Metz, 23-25 May 1997. Published in Portuguese with the title « Da Obra au Objeto-Documento, A influêncio Americana » (1998). CADERNOS DA PÓS-GRADUACÀO, Instituto de Artes/unicamp, Ano 2, Volume 2, n°1
• Gilbertto Prado, “ Arte e Tecnologia: Produções Recentes No Evento ‘A Arte No Século XXI’ ” et “ Dispositivos Interativos: Imagens em Redes Telematicas ”, A Arte No Seculo XXI (org. D. Domingues), São Paulo, UNESP, 1997.
• Gilbertto Prado, “ Cronologia de Experiências Artísticas nas Redes de Telecomunicações ”, Trilhas, Campinas 6(1): 7-9, julho-dezembro 1997, pp.89-93, 97-98.
• Gilbertto Prado, “ Estudo e Criação de sites de Arte Na Rede Internet ”, IX Encontro Nacional da ANPAP, ANAIS vol.2, 1997.
• Judy Malloy, “On the (Art) Net”, Razon y Palabra, Número 9, Año 2, Noviembre - Enero 1997-98 http://www.cem.itesm.mx/dacs/publicaciones/ logos/anteriores/n9/onart.htm
• Paul Brown, “Networks and artworks: the failure of the user-friendly interface”, Stuart Mealing, Computers and Art, Bristol, Intellect, 1997, 2e édition Portland, Oregon, 2002, pp. 100-101.
• Fred Forest, Après l’art contemporain, pour un art actuel. L’art à l’heure d’Internet, Paris, L’Harmattan, 1998.
• Judy Malloy, "Hypernarrative in the Age of the Web" -- National Endowment for the Arts NEA arts.community, 1998 http://www.arts.endow.gov/artforms/Lit/Malloy.html
• Olga Kisseleva, Cyberart, un essai sur l’art du dialogue, Paris, L’Harmattan (coll. Ouverture Philosophique) 1998, pp.127-130, 135-137.
• Louis-José Lestocart, in Art Press, numéro spécial "Internet All Over", nov 1999.
• Jean-Paul Fourmentraux, « Habiter l'Internet : les inscriptions artistiques du Cyberart” Revue Solaris déc 2000-jan 2001 http://biblio-fr.info.unicaen.fr/bnum/jelec/Solaris/d07/7fourmentraux.html
• Annick Bureaud, "CD-Rom : œuvre ou document?", Art Press, n°265, février 2001, p.91.
• Stephen Wilson, Information Arts: Intersections of Art, Science, and Technology, Cambridge, MIT Press, 2001, pp.487, 525, 569-570, 828.
• Gilbertto Prado, “Experimentaçoes artisticas em redes telematicas e web”, Lucia Leao, Interlab: labirintos do pensamento contemporâneo, Editora Iluminuras Ltda, 2002 p. 120.
• Paul Ardenne, Un Art contextuel, Paris, Flammarion, 2002, p. 176.
• Annick Bureaud, « Art de la communication – art des réseaux – net art », « Art of Communication – Art of Networks – Net art », Art Press n° 285, décembre 2002.
• Anna Couey, "Restructuring Power: Telecommunications Works Produced by Women", in J. Malloy ed., Women in New Media, Cambridge, MIT Press, 2003
• Christina Ray, Dave Mandl et al., "An Overview of Psy.Geo.Conflux 2003", YEAR ZERO ONE FORUM: ISSUE#12 -Summer 2003: Psychogeography - Space, Place and Perception.
• Florence de Meredieu, Arts et nouvelles technologies, art vidéo, art numérique, Paris, Larousse. 2003
• Gilbertto Prado, « Expériences artistiques dans les réseaux télématiques : Projets récentes d'environnements virtuels multi-utilisateurs au Brésil » Actes du colloque Artmedia 8: de l'Esthétique de la communication au net art, Ligeia, Paris, 2003
• Gilbertto Prado, Arte telemática: dos intercâmbios pontuais aos ambientes virtuais multiusuário, São Paulo, Itaú Cultural, 2003
• Claire Lahuerta, « Le sang menstruel dans l'art contemporain. Entre sécrétions et fureur utérine : histoire d'un héritage », in Dominique Chateau et Claire Leman, Représentation et modernité: travaux de doctorants en esthétique de l'École doctorale arts plastiques, esthétique et sciences de l'art, Paris, Publications de la Sorbonne, 2003, pp. 187-189.
• Stéphan Barron, Technoromantisme, Paris, L'Harmattan, 2003, 93-96.
• Puck, « Paris, Berlin, São Paulo », Fluctuat 29/10/2004 http://fluctuat.premiere.fr/Societe/News/Paris-Berlin-Sao-Paulo-3177094
• Eduardo Kac, Telepresence & Bio Art : networking humans, rabbits, & robots, University of Michigan Press, 2005, pp. 7, 46-48, 54.
• Jean-Paul Fourmentraux, « Art et réseau : genèse de la [télé]communication créative », Hermès, La Revue 1/2008 (n° 50) , p. 115-120 URL : www.cairn.info/revue-hermes-la-revue-2008-1-page-115.htm.
• Fred Forest, Art et Internet, Paris, Editions Cercle d'art, 2008, 116-119 (a screenshot from A Map Larger than the Territory appears on the back cover).
• Stephen Wilson, Art + Science: How scientific research and technological innovation are becoming key to 21st-century aesthetics, (published in English and French editions simultaneously) Londres/Paris: Thames and Hudson, 2010, pp.182, 186.
• Gilbertto Prado, “Redes y espacios artisticos de intervencion”, Estética, ciencia y tecnología: creaciones electrónicas y numéricas, Iliana Hernández García (Compiladora), p. 176.
• Philippe Monfouga, Des archives à l'archive: l'archivage comme processus de création artistique, CreateSpace Independent Publishing Platform, 2013, p.45-47.

* Additional Reviews of Walking and Mapping: Artists as Cartographers

• Violaine White, « Ce que la carte dit dans l’art », Acta fabula, vol. 14, n° 7, Notes de lecture, Octobre 2013, URL : http://www.fabula.org/revue/document8110.php
• Simon Ferdinand, Review of 'Walking and Mapping: Artists as Cartographers' by Karen O'Rourke Cartographica 48:4, 2013, pp. 338–339 University of Toronto Press doi:10.3138/carto.48.4.rev06 http://utpjournals.metapress.com/content/x1t758183817j363/?p=1850f052873b4181a90c3eb8988081cb&pi=5
• Angeliki Sioli, A review of Karen O’Rourke’s Walking and Mapping: Artists as Cartographers, published in 2013 by the MIT Press. Montreal Architectural Review, Vol 1, 2014. Full Text: PDF.
• « Wandel Kunst » (in Dutch), Metropolis M, N°6, décembre 2013.
• Tania Vladova, «  Karen O’Rourke, Walking and Mapping: Artists As Cartographers », Critique d’art, note de lecture mise en ligne le 01 juin 2016. URL : http://critiquedart.revues.org/17629
• Phil Smith, “Walking and Mapping” Book Review, Mythogeography.http://www.mythogeography.com/walking-and-mapping.html
• Roy Christopher, “These Books Were Made for Walking“, Roy Christopher Reviews, March 4th, 2014.http://roychristopher.com/the-art-of-walking
• Jeff Thurston, “Book Review: Walking and Mapping“, 3D Visualization World Magazine, November 13, 2016.https://3dvisworld.com/features/book-reviews/13284-book-review-walking-and-mapping.html?utm_source=newsletter&utm_medium=email&utm_campaign=Newsletter+-+3D+Visualization+World+Magazine+-+November+2016

• Reason for the change: In response to the message posted at the top of the article, here is a list of secondary sources (by critics or historians writing about my work) which could be used to improve this stub.
• References supporting change: In most of the references I give the URL or page number.

Karenor (talk) 21:46, 29 June 2024 (UTC)[reply]

I see the note about additional reviews for Walking and Mapping; however, that publication is already adequately covered in the Wikipedia article. If you have reviews for the other book (From the arts-networks to programmed drifts: current events in “art as experience”), that would be helpful. DaffodilOcean (talk) 15:33, 1 July 2024 (UTC)[reply]

 Not done The bibliography is not the place to put any sources which discuss the subject or can be used in the article. If you want to clear up the issue with primary sources, suggest article text that cites these sources. Rusalkii (talk) 07:09, 12 July 2024 (UTC)[reply]