Tania Antoshina

Tatyana Antoshina
Таня Антошина, Татьяна Константиновна Антошина
Born1 May 1956
NationalityRussian, lives in Paris
EducationPhD Stroganov Moscow State University of Arts and Industry
Known forVisual artist, Sculpture, Photography, Feminist art
Notable workMuseum of a Woman[1]
Websitehttp://antoshina.com

Tatyana Antoshina (Russian: Таня Антошина, Татьяна Константиновна Антошина; also transliterated as Tania Antoshina, Tatiana Antoshina, Tanya Antoshina, Tatjana Antoschina, Tatyana Antoschina. From 1977 to 1997 she bore the surname Машукова (Tatyana Mashukova)) (b. 1 May 1956, Krasnoyarsk Siberia, Russia), is a French-Russian ultra contemporary artist, curator, PhD in art history, one of the first participants of the gender movement in Moscow art.[2] In 1991 she completed postgraduate studies and received a PhD in Fine Arts Stroganov Moscow State University of Arts and Industry.

Tania Antoshina is one of the most significant Russian female artists since Perestroika. Her work explores the role of women artists in society and in art history and was exhibited in the iconic ‘After the Wall’ exhibition at the Moderna Museet, Stockholm and Hamburger Bahnhof, Berlin; ‘Gender Check’, MUMOK, Vienna; and the 56th Venice Biennale. [3] Her works are in the collections of MUMOK, Vienna; National Museum of Women in the Arts, Washington; Neues Museum Weserburg Bremen; State Russian Museum, St Petersburg; and The Tretyakov Gallery, Moscow.

Antoshina lives and works in Paris. [4]

  1. ^ Cite error: The named reference Peeling Potatoes was invoked but never defined (see the help page).
  2. ^ "Tania Antoshina Biography". ArtNet. Retrieved 12 February 2017.
  3. ^ "The National Pavilion of Mauritius: From One Citizen You Gather an Idea" (PDF). alcramer.net. International Art Exhibition, La Biennale di Venezia. Retrieved 12 February 2017.
  4. ^ Smorodinskaya, Tatiana; Evans-Romaine, Karen; Goscilo, Helena, eds. (2007). Encyclopedia of contemporary Russian Culture (Encyclopedias of Contemporary Culture Series). Abingdon, UK and New York, USA: Routledge. pp. 19, 42–43. ISBN 978-0415758628.