Tatyana Antoshina | |
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Таня Антошина, Татьяна Константиновна Антошина | |
Born | 1 May 1956 |
Nationality | Russian, lives in Paris |
Education | PhD Stroganov Moscow State University of Arts and Industry |
Known for | Visual artist, Sculpture, Photography, Feminist art |
Notable work | Museum of a Woman[1] |
Website | http://antoshina.com |
Tatyana Antoshina (Russian: Таня Антошина, Татьяна Константиновна Антошина; also transliterated as Tania Antoshina, Tatiana Antoshina, Tanya Antoshina, Tatjana Antoschina, Tatyana Antoschina. From 1977 to 1997 she bore the surname Машукова (Tatyana Mashukova)) (b. 1 May 1956, Krasnoyarsk Siberia, Russia), is a French-Russian ultra contemporary artist, curator, PhD in art history, one of the first participants of the gender movement in Moscow art.[2] In 1991 she completed postgraduate studies and received a PhD in Fine Arts Stroganov Moscow State University of Arts and Industry.
Tania Antoshina is one of the most significant Russian female artists since Perestroika. Her work explores the role of women artists in society and in art history and was exhibited in the iconic ‘After the Wall’ exhibition at the Moderna Museet, Stockholm and Hamburger Bahnhof, Berlin; ‘Gender Check’, MUMOK, Vienna; and the 56th Venice Biennale. [3] Her works are in the collections of MUMOK, Vienna; National Museum of Women in the Arts, Washington; Neues Museum Weserburg Bremen; State Russian Museum, St Petersburg; and The Tretyakov Gallery, Moscow.
Antoshina lives and works in Paris. [4]
Peeling Potatoes
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