Gutsa is unusual among Zimbabwean stone sculptors for the breadth of materials he uses in his work; his sculptures incorporate metal, paper, wood, and other foreign materials.[8][9][10] His winning sculpture at the Nedlaw exhibition, 1987, comprised smouldering grass engulfing a wooden bird.[11] He is the cousin of Dominic Benhura, who studied with him; he has also been a mentor to many young artists including Fabian Madamombe.
In 2007, Gutsa was one of eleven international artists commissioned by the Victoria and Albert Museum, London, to produce work for an exhibition titled 'Uncomfortable Truths: The Shadow of Slave Trading on Contemporary Art'.[12][13]
^Mawdsley, Joceline (1994). Zimbabwe stone sculpture: the second generation. Harare, Zimbabwe: Chapungu Sculpture Park.
^Winter-Irving, Celia (1991). Stone sculpture in Zimbabwe: context, content and form. Harare: Roblaw Publishers.
^Morton, Elizabeth (2013). "Patron and Artist in Zimbabwean Art". In Salami, Gitti; Visona, Monica Blackmun (eds.). A Companion to Modern African Art (Blackwell Companions to Art History). John Wiley & Sons. pp. 248–251. ISBN9781444338379.
^Contemporary art in Zimbabwe. Amsterdam: Artoteek Amsterdam Zuidoost. 1998.
^Cousins, Jane (1991). "The making of Zimbabwean sculpture". Third Text; Third World Perspectives on Contemporary Art and Culture (13): 31–42.
^Chikukwa, Raphael (2005). Visions of Zimbabwe. Manchester: Manchester Art Gallery.
^Zimbabwe heritage 1987. Harare, Zimbabwe: National Gallery of Zimbabwe. 1987.