Ten Idylls

Topics in Sangam literature
Sangam literature
Agattiyam Tolkāppiyam
Eighteen Greater Texts
Eight Anthologies
Aiṅkurunūṟu Akanāṉūṟu
Puṟanāṉūṟu Kalittokai
Kuṟuntokai Natṟiṇai
Paripāṭal Patiṟṟuppattu
Ten Idylls
Tirumurukāṟṟuppaṭai Kuṟiñcippāṭṭu
Malaipaṭukaṭām Maturaikkāñci
Mullaippāṭṭu Neṭunalvāṭai
Paṭṭiṉappālai Perumpāṇāṟṟuppaṭai
Poruṇarāṟṟuppaṭai Ciṟupāṇāṟṟuppaṭai
Related topics
Sangam Sangam landscape
Tamil history from Sangam literature Ancient Tamil music
Eighteen Lesser Texts
Nālaṭiyār Nāṉmaṇikkaṭikai
Iṉṉā Nāṟpatu Iṉiyavai Nāṟpatu
Kār Nāṟpatu Kaḷavaḻi Nāṟpatu
Aintiṇai Aimpatu Tiṉaimoḻi Aimpatu
Aintinai Eḻupatu Tiṇaimālai Nūṟṟaimpatu
Tirukkuṟaḷ Tirikaṭukam
Ācārakkōvai Paḻamoḻi Nāṉūṟu
Ciṟupañcamūlam Mutumoḻikkānci
Elāti Kainnilai
Bhakti Literature
Naalayira Divya Prabandham Ramavataram
Tevaram Tirumuṟai
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The Ten Idylls, known as Pattuppāṭṭu (Tamil: பத்துப்பாட்டு) or Ten Lays, is an anthology of ten longer poems in the Sangam literature – the earliest known Tamil literature.[1][2] They range between about 100 and 800 lines, and the collection includes the celebrated Nakkīrar's Tirumurukāṟṟuppaṭai (lit. "Guide to Lord Murukan").[1] The collection was termed as "Ten Idylls" during the colonial era, though this title is considered "very incorrect" by Kamil Zvelebil – a scholar of Tamil literature and history. He suggests "Ten Lays" as the more apt title.[3] Five of these ten ancient poems are lyrical, narrative bardic guides (arruppatai) by which poets directed other bards to the patrons of arts such as kings and chieftains.[4] The others are guides to religious devotion (Murugan) and to major towns, sometimes mixed with akam- or puram-genre poetry.[1][4]

The Pattuppāṭṭu collection is a later dated collection, with its earliest layer composed sometime between 2nd and 3rd century CE, the middle between 2nd and 4th century, while the last layer sometime between 3rd and 5th century CE.[5]

  1. ^ a b c W. J. Johnson (2009). A Dictionary of Hinduism. Oxford University Press. ISBN 978-0-19861-0250.
  2. ^ Kamil Zvelebil 1973, pp. 28–29.
  3. ^ Kamil Zvelebil 1973, pp. 28–29, 56.
  4. ^ a b Kamil Zvelebil 1973, pp. 56–58.
  5. ^ Kamil Zvelebil 1973, pp. 41–43 with Chart 4.