The Bacchae

For the 2002 film, see The Bacchae (film). For the D.C. band, see Bacchae (band).
"The Bacchae (play)" redirects here. For the classical Meitei language play, see Bacchae (Thiyam play).
"The Bacchantes" redirects here. For the 1961 fantasy film, see The Bacchantes (film).
The Bacchae
Pentheus being torn apart by Agave and Ino, Attic red-figure vase painting
Written byEuripides
ChorusBacchae, female followers of Dionysus
CharactersDionysus
Tiresias
Cadmus
Pentheus
Servant
Messenger
Second Messenger
Agave
Date premiered405 BC
Place premieredAthens
Original languageAncient Greek
GenreTragedy
SettingThebes

The Bacchae (/ˈbækiː/; ‹See Tfd›Greek: Βάκχαι, Bakkhai; also known as The Bacchantes /ˈbækənts, bəˈkænts, -ˈkɑːnts/) is an ancient Greek tragedy, written by the Athenian playwright Euripides during his final years in Macedonia, at the court of Archelaus I of Macedon. It premiered posthumously at the Theatre of Dionysus in 405 BC as part of a tetralogy that also included Iphigeneia at Aulis and Alcmaeon in Corinth, and which Euripides' son or nephew is assumed to have directed.[1] It won first prize in the City Dionysia festival competition.

The tragedy is based on the Greek myth of King Pentheus of Thebes and his mother Agave, and their punishment by the god Dionysus (who is Pentheus's cousin). The god Dionysus appears at the beginning of the play and proclaims that he has arrived in Thebes to avenge the slander, which has been repeated by his aunts, that he is not the son of Zeus. In response, he intends to introduce Dionysian rites into the city, and he intends to demonstrate to the king, Pentheus, and to Thebes that he was indeed born a god.[2] At the end of the play, Pentheus is torn apart by the women of Thebes and his mother Agave bears his head on a thyrsus to her father Cadmus.[3][4]

The Bacchae is considered [by whom?] to be not only one of Euripides's greatest tragedies, but also one of the greatest ever written, modern or ancient.[5] The Bacchae is distinctive in that the chorus is integrated into the plot and the god is not a distant presence but a character in the play, indeed, the protagonist.[6]

  1. ^ Rehm (1992, 23).
  2. ^ Murray Gilbert. Euripides and His Age. Oxford University Press. 1965. ISBN 0-313-20989-8
  3. ^ Corrigan, Robert W. editor. Classical Tragedy, Greek and Roman; Eight Plays in Authoritative Modern Translations. Euripides. Bagg, Robert, translator. The Bakkhai. Applause Theatre Book Publishers. 1990. ISBN 1-55783-046-0
  4. ^ Euripides. Vellacott, Philip, translator. The Bacchae and Other Plays. Penguin Books. 1954. ISBN 0-14-044044-5. p. 193.
  5. ^ Euripides. Slavitt, David R., editor. Bovie, Palmer, editor. Epstein, Daniel Mark, translator. Euripides, 1. University of Pennsylvania Press. 1998. ISBN 0-8122-1626-1
  6. ^ Euripides. Slavitt, David R., editor. Bovie, Palmer, editor. Epstein, Daniel Mark, translator. Euripides, 1. University of Pennsylvania Press. 1998. ISBN 0-8122-1626-1