 First edition cover | |
| Author | Keri Hulme |
|---|---|
| Cover artist | Cover design by Basia Smolnicki, cover illustration by Keri Hulme |
| Language | English |
| Publisher | Spiral |
Publication date | February 1984 |
| Publication place | New Zealand |
| Media type | Print (hardback & paperback) |
| Pages | 450 pp (paperback edition) |
| ISBN | 0-9597593-2-8 (first edition) |
| OCLC | 36312027 |
The Bone People, styled by the writer and in some editions as the bone people,[1][2] is a 1984 novel by New Zealand writer Keri Hulme. Set on the coast of the South Island of New Zealand, the novel focuses on three characters, all of whom are isolated in different ways: a reclusive artist, a mute child, and the child's foster father. Over the course of the novel the trio develop a tentative relationship, are driven apart by violence, and reunite. Māori and Pākehā (New Zealand European) culture, myths and language are blended through the novel. The novel has polarised critics and readers, with some praising the novel for its power and originality, while others have criticised Hulme's writing style and portrayals of violence.
Hulme spent many years working on the novel, but was unable to find a mainstream publisher willing to accept the book without significant editing; it was eventually published by the small all-women collective of Spiral. After initial commercial success in New Zealand, the book was published overseas and became the first New Zealand novel and first debut novel to win the Booker Prize in 1985, although not without controversy; two of the five judges opposed the book's choice for its portrayals of child abuse and violence. Nevertheless, the novel has remained popular into the 21st century, continuing to sell well in New Zealand and overseas, and is widely recognised as a New Zealand literary classic.
- ^ Welham, Keri (2004). "Keri Hulme: Bait expectations". Stuff. Retrieved 10 July 2022.
- ^ English, James F. (2005). Prizes, Awards, and the Circulation of Cultural Value. Cambridge, Massachusetts: Harvard University Press. p. 389, footnote 27. ISBN 978-0-674-01884-6.
I have followed Hulme is using all lowercase letters for the book's title, although later editions and critical discussions of the book have not always done so