| "The City on the Edge of Forever" | |
|---|---|
| Star Trek: The Original Series episode | |
| Episode no. | Season 1 Episode 28 |
| Directed by | Joseph Pevney |
| Written by | Harlan Ellison D. C. Fontana (uncredited) Gene L. Coon (uncredited) |
| Featured music | Fred Steiner (original) |
| Cinematography by | Jerry Finnerman |
| Production code | 028 |
| Original air date | April 6, 1967 |
| Guest appearances | |
| |
"The City on the Edge of Forever" is the twenty-eighth and penultimate episode of the first season of the American science fiction television series Star Trek. It was written by Harlan Ellison; contributors to and/or editors of the script included Steven W. Carabatsos, D. C. Fontana and Gene L. Coon. Gene Roddenberry made the final re-write. The episode was directed by Joseph Pevney and first aired on NBC on April 6, 1967.
In the episode, Doctor Leonard McCoy (DeForest Kelley) accidentally overdoses himself with a dangerous drug. He transports himself down to a mysterious planet while not in his right mind and is pursued by a rescue party led by Captain Kirk (William Shatner) and Spock (Leonard Nimoy), who soon come across the Guardian of Forever, a sentient time portal. McCoy travels back in time while impaired and changes history to such an extent that the Federation of Planets no longer exists. Kirk and Spock follow him to Depression-era New York City to attempt to fix the damage. While in the past, Kirk falls in love with Edith Keeler (Joan Collins), a soup kitchen operator who dreams of a future much like his own 23rd Century. Spock eventually discovers that McCoy had changed the course of history by saving Keeler from dying in a traffic accident. Much to his personal grief, Kirk allows the accident to take place, restoring history.
The episode received widespread critical acclaim and has been frequently stated to be the best episode of the entire Star Trek franchise. Elements such as the tragic ending were highlighted by several reviewers. It won several awards, including the Writers Guild of America Award for Best Episodic Drama on Television (Ellison, 1967) and the Hugo Award for Best Dramatic Presentation (Ellison and Pevney, 1968).[1]