The Crucifixion (Margkazinis)

Crucifixion
Greek: Σταύρωση του Ιησού Χριστού,
Italian: Crocifissione di Gesù
ArtistGeorgios Markazinis
Yearc. 1647
MediumOil Painting on Limestone
MovementLate Cretan School
SubjectCrucifixion of Jesus
Dimensions41 cm × 26 cm (16 in × 10.2 in)
LocationHellenic Institute, Venice, Italy
OwnerHellenic Institute

The Crucifixion is a painting created by Georgio Markazini. Markazini was a Greek painter from the island of Crete. He migrated to Venice. He was active during the middle part of the 17th century. Two of the painter's works survived. The crucifixion was a very popular subject among Cretan painters. Andreas Pavias, Emmanuel Lambardos, and Theophanes the Cretan created a similar style crucifixion. The Cretan painters frequently influenced each other.[1][2]

Jan Sadeler I was a Renaissance Flemish engraver who migrated to Venice with his son and nephew. He was active during the second half of the 16th century. His engravings of the crucifixion series influenced Markazini's Work. Around this same period, the engravings were circulating through the Venetian Greek community. Theodore Poulakis and Konstantinos Tzanes both used the engravings as inspiration. They were Georgio Markazini's contemporaries active during the same period.[3]

Greek and Italian Painters frequently added many figures to the Crucifixion scene. For instance, Andreas Pavias's Crucifixion features the dice player scene and the resurrection of the Christian saints. Both stories are part of Matthew's gospel. Other painters such as Ioannis Moskos featured the same pictorial representation of the gospel in his Crucifixion namely the dice players. The crucifixion paintings offer a rich array of symbols and meanings. The Crucifixion by Markazini is part of the collection of the Hellenic Institute in Venice, Italy.[4]

  1. ^ Staff Writers (November 26, 2021). "The Crucifixion in the 17th century, 26 x 41cm George Margazinis". Digitized Archive of the Hellenic Institute of Venice. Retrieved November 26, 2021.
  2. ^ Hatzidakis, Manolis; Drakopoulou, Evgenia (1997). Έλληνες Ζωγράφοι μετά την Άλωση (1450–1830). Τόμος 2: Καβαλλάρος – Ψαθόπουλος [Greek Painters after the Fall of Constantinople (1450–1830). Volume 2: Kavallaros – Psathopoulos]. Athens: Center for Modern Greek Studies, National Research Foundation. p. 171. hdl:10442/14088. ISBN 960-7916-00-X.
  3. ^ Rigopoulos, Giannis (2016). Η Σταύρωση του Χριστού και τα φλαμανδικά της πρότυπα [The Crucifixion of Christ and its Flemish Prototypes]. Athens, Greece: National and Kapodistrian University of Athens. p. 4.
  4. ^ Hatzidakis, 1997, p. 171