The Diary of a Nobody

The Diary of a Nobody
Book marked in England "The Diary of a Nobody by George Grossmith and Weedon Grossmith"
Cover of the first book edition
AuthorGeorge and Weedon Grossmith
IllustratorWeedon Grossmith
LanguageEnglish
PublisherJ. W. Arrowsmith Ltd, London
Publication date
June 1892
Publication placeUnited Kingdom
TextThe Diary of a Nobody at Wikisource

The Diary of a Nobody is an 1892 English comic novel written by the brothers George and Weedon Grossmith, with illustrations by the latter. It originated as an intermittent serial in Punch magazine in 1888–89 and first appeared in book form, with extended text and added illustrations, in 1892. The Diary records the daily events in the lives of a London clerk, Charles Pooter, his wife Carrie, his son William Lupin, and numerous friends and acquaintances over a period of 15 months.

Before their collaboration on the Diary, the brothers each pursued successful careers on the stage. George originated nine of the principal comedian roles in Gilbert and Sullivan operas over 12 years from 1877 to 1889. He also established a national reputation as a piano sketch entertainer and wrote a large number of songs and comic pieces. Before embarking on his stage career, Weedon had worked as an artist and illustrator. The Diary was the brothers' only mature collaboration. Most of its humour derives from Charles Pooter's unconscious and unwarranted sense of his own importance, and the frequency with which this delusion is punctured by gaffes and minor social humiliations. In an era of rising expectations within the lower-middle classes, the daily routines and modest ambitions described in the Diary were instantly recognised by its contemporary readers, and provided later generations with a glimpse of the past that it became fashionable to imitate.

Although its initial public reception was muted, the Diary came to be recognised by critics as a classic work of humour, and it has never been out of print. It helped to establish a genre of humorous popular fiction based on lower or lower-middle class aspirations, and was the forerunner of numerous fictitious diary novels in the later 20th century. The Diary has been the subject of several stage and screen adaptations, including Ken Russell's "silent film" treatment of 1964, a four-part TV film scripted by Andrew Davies in 2007, and a widely praised stage version in 2011, in which an all-male cast of three played all the parts.