The Exterminating Angel (opera)

The Exterminating Angel
Opera by Thomas Adès
LibrettistTom Cairns
Based onThe Exterminating Angel
by Luis Buñuel
Premiere

The Exterminating Angel is an English-language opera in three acts, with music by Thomas Adès, and libretto by Tom Cairns in collaboration with Adès.[1] The opera is based on the 1962 film of the same name by Luis Buñuel.[2][3][1] The opera, Adès' third, was a joint commission between the Salzburg Festival, the Royal Opera House, Covent Garden, the Metropolitan Opera and the Royal Danish Opera.[4]

The opera received its world premiere on 28 July 2016, at the Haus für Mozart, Salzburg.[5][6][7][8] Adès' first-ever commission for the Salzburg Festival,[9] the Salzburg production received four performances.[10] The UK premiere was at the Royal Opera House, Covent Garden, on 24 April 2017.[11] The North American premiere took place on 26 October of the same year at the Metropolitan Opera.[12][13][14] For all of these stagings, Cairns was the stage director, with sets and costumes by Hildegard Bechtler, lighting by Jon Clark, videography by Tal Yarden,[15] and choreography by Amir Hosseinpour.

Adès had been interested in adapting the film into an opera since 2000. Copyright issues over the film and the commission for Adès' second opera, The Tempest, delayed his eventual start on this opera.[16]

The role of Leticia required soprano Audrey Luna to sing an A above high C, which is the highest documented sung note in the history of the Metropolitan Opera.[17] The Metropolitan Opera transmitted the 18 November 2017 performance of the opera to cinemas worldwide as part of the Metropolitan Opera Live in HD series; that performance has subsequently been issued on DVD and was streamed online on 5 June, 15 November, and 10 December 2020.[18][19]

The opera received a new staging at the Paris Opera in 2024, in a revised version by Adès.[20]

  1. ^ a b Jonathan Romney (1 April 2017). "How Buñuel's The Exterminating Angel became opera's most surreal soirée". The Guardian. Archived from the original on 30 October 2017. Retrieved 29 October 2017.
  2. ^ Goldmann, A.J. (August 2016). "The Exterminating Angel: Salzburg - Salzburg Festival, 8/8/16". Opera News. 81 (2). Archived from the original on 30 October 2017. Retrieved 29 October 2017.
  3. ^ Alex Ross (22 August 2016). "An Explosive Opera of The Exterminating Angel". The New Yorker. Archived from the original on 29 October 2017. Retrieved 29 October 2017.
  4. ^ Christian Wildhagen (30 July 2016). "Dünn ist der Firnis der Zivilisation". Neue Zürcher Zeitung (in German). Archived from the original on 30 October 2017. Retrieved 29 October 2017.
  5. ^ Ulrich Amling (29 July 2016). "Schrei zum Himmel". Der Tagesspiegel (in German). Archived from the original on 30 October 2017. Retrieved 29 October 2017.
  6. ^ Werner Theurich (29 July 2016). "Der Würgeengel macht Salzburg selig". Der Spiegel (in German). Archived from the original on 3 November 2016. Retrieved 29 October 2017.
  7. ^ Mirko Weber (29 July 2016). "Surrealismus? Ah, geh!". Stuttgarter Zeitung (in German). Archived from the original on 30 October 2017. Retrieved 29 October 2017.
  8. ^ Manuel Brug (29 July 2016). "Der Untergang wird freundlich abgenickt". Die Welt (in German). Archived from the original on 11 September 2016. Retrieved 29 October 2017.
  9. ^ Guy Dammann (18 November 2016). "Interview: Thomas Adès". Financial Times. Archived from the original on 1 December 2017. Retrieved 20 November 2017.
  10. ^ Mark Swed (9 August 2016). "Exterminating Angel, the most important opera of the year, proves it's here to stay". Los Angeles Times. Archived from the original on 30 October 2017. Retrieved 29 October 2017.
  11. ^ Erica Jeal (25 April 2017). "The Exterminating Angel review – anarchy, a lamb shawarma and music of lingering beauty". The Guardian. Archived from the original on 30 October 2017. Retrieved 29 October 2017.
  12. ^ Anthony Tommasini (27 October 2017). "If You See One Opera This Year, Make It The Exterminating Angel". The New York Times. Archived from the original on 30 October 2017. Retrieved 29 October 2017.
  13. ^ Justin Davidson (27 October 2017). "Opera Review: Surrealism Explored in The Exterminating Angel". vulture.com. Archived from the original on 28 October 2017. Retrieved 29 October 2017.
  14. ^ David Patrick Stearns (27 October 2017). "Review: A Compassion-Free Exterminating Angel Stumbles to Find A Voice". WQXR. Archived from the original on 30 October 2017. Retrieved 29 October 2017.
  15. ^ Fiona Maddocks (30 July 2016). "The Exterminating Angel review – a turning point for Adès, and opera". The Guardian. Archived from the original on 30 October 2017. Retrieved 29 October 2017.
  16. ^ Tom Service (24 July 2016). "Rifles, bears and Buñuel: Thomas Adès on his new never-ending opera". The Guardian. Archived from the original on 30 October 2017. Retrieved 29 October 2017.
  17. ^ Woolfe, Zachary (7 November 2017). "At the Met Opera, a Note So High, It's Never Been Sung Before". The New York Times. Archived from the original on 11 January 2018. Retrieved 16 November 2017.
  18. ^ "Week 12". www.metopera.org. Archived from the original on 16 October 2020. Retrieved 15 October 2020.
  19. ^ "Nightly Met Opera Streams". www.metopera.org. Archived from the original on 27 October 2020. Retrieved 28 October 2020.
  20. ^ Joshua Barone (15 March 2024). "Thomas Adès Takes a Step Toward the Classical Music Canon". Retrieved 8 April 2024.