The Interlude of the Student and the Girl

The Interlude of the Student and the Girl (Latin: Interludium de clerico et puella) is one of the earliest known secular plays in English, first performed c. 1300.[1] The text is written in vernacular English, in an East Midlands dialect that suggests either Lincoln or Beverley as its origin, although its title is given in Latin.[2] The name of its playwright is unknown.[2] Only two scenes, with a total of 84 lines of verse in rhyming couplets, are extant and survive in a manuscript held by the British Library, dated to either the late twelfth or very early thirteenth century.[3] Glynne Wickham provides both the original text and a rendering in modern English in his English Moral Interludes (1976).[4] In tone and form, the interlude seems to be the closest play in English to the contemporaneous French farces, such as The Boy and the Blind Man, and is related to later English farcical plays, such as the anonymous Calisto and Melibea (published c. 1525) and John Heywood's The Foure PP (c. 1530).[5] It was most likely performed by itinerant players, possibly making use of a performing dog.[6] In Early English Stages (1981), Wickham points to the existence of this play as evidence that the old-fashioned view that comedy began in England with Gammer Gurton's Needle and Ralph Roister Doister in the 1550s is mistaken, ignoring as it does a rich tradition of medieval comic drama.[7] He argues that the play's "command of dramatic action and of comic mood and method is so deft as to make it well-nigh unbelievable" that it was the first of its kind in England.[8]

  1. ^ Bevington (1962, 9; 11), Brockett and Hildy (2003, 95), Dillon (2006, 213), Meredith (1998, 699), Richardson & Johnston (1991, 54–55), and Wickham (1976, 195; 1981, 189–190).
  2. ^ a b Wickham (1976, 193).
  3. ^ British Library, Add MS 23986; see Wickham (1976, 193). In the nineteenth century, the manuscript belonged to the Rev. Richard Yerburgh of Sleaford, father of the conservative politician Robert Armstrong Yerburgh; see Chambers (1903, 324).
  4. ^ Wickham (1976, 195–203). E. K. Chambers also provided the text in his The Mediaeval Stage (1903, vol. 2, 324–326), though Wickham points out that in that book the scenes have been inaccurately transcribed; see Wickham (1979, 198). Chamber's book is available online at the Internet Archive.
  5. ^ Axton (1979, 15), Bevington (1962, 9; 11; 38; 45), Meredith (1998, 699), and Wickham (1981, 190). Calisto and Melibea is an adaptation of La Celestina; see Axton (1979, 69–96).
  6. ^ Richardson and Johnston (1991, 54–55).
  7. ^ Wickham (1981, 178).
  8. ^ Wickham (1981, 190).