The Kink Kontroversy | ||||
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Studio album by | ||||
Released | 26 November 1965 | |||
Recorded |
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Studio | Pye, London | |||
Genre | ||||
Length | 30:12 | |||
Label | ||||
Producer | Shel Talmy | |||
the Kinks chronology | ||||
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The Kinks US chronology | ||||
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Alternative cover | ||||
![]() North American release | ||||
Singles from The Kink Kontroversy | ||||
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The Kink Kontroversy is the third studio album by the English rock band the Kinks. It was released in the United Kingdom on 26 November 1965 by Pye Records.[5] Issued in the United States on 30 March 1966 by Reprise Records, it was the Kinks' first American album to feature an identical track listing to its British counterpart.[6] It is a transitional album, with elements of both the earlier Kinks' styles (heavily blues-influenced songs such as "Milk Cow Blues" and variations on the band's power chord-driven hits from 1964 to 1965 such as "Till the End of the Day") and early indications of the future direction of Ray Davies' songwriting styles ("The World Keeps Going Round" and "I'm on an Island"). The liner notes were written by Michael Aldred.