| The Night of Counting the Years | |
|---|---|
.jpg) Theatrical release poster | |
| Directed by | Shadi Abdel Salam |
| Written by | Shadi Abdel Salam |
| Produced by | Roberto Rossellini |
| Starring | Ahmed Marei Ahmad Hegazi Nadia Lutfi |
| Cinematography | Abdel Aziz Fahmy |
| Edited by | Kamal Abou-El-Ella |
| Music by | Mario Nascimbene |
Production companies | |
| Distributed by | General Egyptian Cinema Organisation Merchant Ivory Productions |
Release date |
|
Running time | 102 minutes |
| Country | Egypt |
| Language | Egyptian Arabic |
The Night of Counting the Years, also released in Egypt as The Mummy (Egyptian Arabic: المومياء, romanized: Elmomya), is a 1969 Egyptian film and the only feature film directed by Shadi Abdel Salam.[1] It features a special appearance by Nadia Lutfi. It is the 3rd on the list of Top 100 Egyptian films.[2][3][4] The film was produced by Roberto Rossellini for General Egyptian Cinema Organisation. Rossellini was instrumental in encouraging Abdel Salam to make the film, The Night of the Changing Years tells a story set among the grave robbers of Kurna in Upper Egypt.[5]
It remains one of the best examples of neo-realism in Egyptian cinema. Other notable examples include Youssef Chahine's Al Ard (The Earth, 1969) and Al Usfur (The Sparrow, 1972) as well as Tewfik Saleh's Al Makhdu'un (The Dupes, 1973).
"Shadi Abdel Salam's The Mummy was the forerunner of what was to become the hallmark of the neo realism, namely, the preoccupation with the search for identity and the relationship between heritage and character."[6] The relationship between contemporary and Ancient Egypt is dealt with allegorically in the film. The static images of landscape and the rigid expressions of the main characters reflect those of the statues and reliefs found in Ancient Egypt. The use of classical Arabic, not Egyptian dialect which is normally used in Egyptian cinema, reinforces the impression of monumentalism.[7]
The unrestrained sacking of the tombs is represented as a danger, threatening moral decline by inviting greed and sex to undermine the dignity of the tribe and its traditions, replacing the order of the world with chaos.
Shadi Abdel Salam has said that his task was to remind Egyptians of their own history: "I think that the people of my country are ignorant of our history and I feel that it is my mission to make them know some of it. I regard cinema not as a consumerist art, but as a historical document for the next generations."[8] Although he went on to direct short fiction and documentaries, The Night of Counting the Years remains Abdel Salam's only full length feature film.
The film was selected as the Egyptian entry for the Best Foreign Language Film at the 43rd Academy Awards, but was not accepted as a nominee.
- ^ "The Night of Counting the Years". sffs.org. Retrieved 27 November 2011.
- ^ Margaret Herrick Library, Academy of Motion Picture Arts and Sciences
- ^ "Top 100 Egyptian Films (CIFF)". IMDb. Retrieved 5 September 2021.
- ^ سامح،, فتحي، (2018). Classic Egyptian Movies: 101 Must-see Films. American University in Cairo Press. ISBN 978-977-416-868-0.
- ^ "The Greatest Clash in Egyptian Archaeology May be Fading, but Anger Lives on".
- ^ Nouri Bouzid: Alif: Journal of Comparative Poetics No. 15, Arab Cinematics: Toward the New and the Alternative / ﺍﻟﺴﻴﻨﻤﺎﺋﻴﺔ العربية: نحو الجديد والبديل (1995), pp. 242-250
- ^ Arab Cinema, History and Cultural Identity by Viola Shafik; Page 51: The American University in Cairo Press, 1998
- ^ "Shadi Abdel Salam, AlexCinema".