The Pride and the Passion

The Pride and the Passion
Theatrical release poster
Directed by	Stanley Kramer
Screenplay by	Edna Anhalt Edward Anhalt
Based on	The Gun 1933 novel by C.S. Forester
Produced by	Stanley Kramer
Starring	Cary Grant Frank Sinatra Sophia Loren
Cinematography	Franz Planer
Edited by	Frederic Knudtson Ellsworth Hoagland
Music by	George Antheil
Production company	Stanley Kramer Pictures
Distributed by	United Artists
Release dates	July 10, 1957 (1957-07-10) (U.S.) December 19, 1957 (1957-12-19) (Sweden) December 20, 1957 (1957-12-20) (Finland) February 2, 1959 (1959-02-02)
Running time	132 minutes
Country	United States
Language	English
Budget	$3.7 million[1]
Box office	$3.5 million (US rentals)[2]

The Pride and the Passion is a 1957 American Napoleonic-era war film in Technicolor and VistaVision from United Artists, produced and directed by Stanley Kramer, starring Cary Grant, Frank Sinatra, and Sophia Loren. The film co-stars Theodore Bikel and Jay Novello.

The film's storyline concerns a British Royal Navy artillery officer who has orders to retrieve a huge siege cannon from Spain and transport it by ship to British forces. First, however, the leader of the Spanish guerrillas wants to transport the weapon 1,000 km (620 mi) across Spain to help in the recapture of the city of Ávila from the occupying French before he releases it to the British. Most of the film deals with the hardships of transporting the large cannon to Ávila across rivers and over mountains, while also evading the occupying French forces that have been ordered to find it. A sub-plot concerns the struggle for the love of the Spanish woman Juana (Loren) by the two male protagonists.

The film story and screenplay by Edna Anhalt and Edward Anhalt are loosely based on the 1933 novel The Gun by C. S. Forester. Earl Felton contributed an uncredited screenplay re-write, George Antheil composed the music score, and Saul Bass designed the opening title sequence.

The film's music score was the last important work by George Antheil, once famous as the "bad boy of music" in the 1920s. It is the only one of Antheil's many film scores to have been preserved on a commercial soundtrack recording.