This article may be unbalanced toward certain viewpoints. (February 2016) |
Author | Stephen Greenblatt |
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Language | English |
Genre | Non-fiction |
Publisher | W. W. Norton & Company (hardcover) The Bodley Head (UK) |
Publication date | September 2011 (hardcover) ISBN 9780393064476 ASIN: B005LW5J9O (kindle US) (mobipocket UK)ISBN 9781446499290 (epub) ISBN 9780393083385 September 2012 (paperback) ISBN 9780099572442 June 2015 (audiobook) ISBN 9781501260506 |
Publication place | United States, UK |
Pages | 368 (hardcover) |
The Swerve: How the World Became Modern (paperback edition: The Swerve: How the Renaissance Began[1]) is a 2011 book by Stephen Greenblatt and winner of the 2012 Pulitzer Prize for General Non-Fiction and 2011 National Book Award for Nonfiction.[2][3]
Greenblatt tells the story of how Poggio Bracciolini, a 15th-century papal emissary and obsessive book hunter, saved the last copy of the Roman poet Lucretius's De rerum natura (On the Nature of Things) from near-terminal neglect in a German monastery, thus reintroducing important ideas that sparked the modern age.[4][5][6]
The title and the subtitle of the book are explained in the author's preface. "The Swerve" refers to a key conception in the ancient atomistic theories according to which atoms moving through the void are subject to clinamen: while falling straight through the void, they are sometimes subject to a slight, unpredictable swerve. Greenblatt uses it to describe the history of Lucretius' own book: "The reappearance of his poem was such a swerve, an unforeseen deviation from the direct trajectory—in this case, toward oblivion—on which that poem and its philosophy seemed to be traveling."[7] The recovery of the ancient text is seen as its rebirth, i.e. a "renaissance". Greenblatt's claim is that it was a 'key moment' in a larger "story ... of how the world swerved in a new direction".[7]